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Sigmund Freud
This book guides readers through Freud's terminology and key ideas, then concludes with a detailed bibliography of his own and other relevant texts. A `must' for all literature students.
Literature, Technology and Magical Thinking, 1880–1920
In this 2001 book Pamela Thurschwell examines the intersection of literary culture, the occult and new technology at the fin-de-siècle. Thurschwell argues that technologies began suffusing the public imagination from the mid-nineteenth century on: they seemed to support the claims of spiritualist mediums. Talking to the dead and talking on the phone both held out the promise of previously unimaginable contact between people: both seemed to involve 'magical thinking'. Thurschwell looks at the ways in which psychical research, the scientific study of the occult, is reflected in the writings of such authors as Henry James, George du Maurier and Oscar Wilde, and in the foundations of psychoanalysis. This study offers provocative interpretations of fin-de-siècle literary and scientific culture in relation to psychoanalysis, queer theory and cultural history.
Literary Secretaries/Secretarial Culture
Secretaries are the hidden technicians of much literary (and non-literary) writing; they also figure startlingly often as characters in modern literature, film, and even literary criticism. Literary Secretaries/Secretarial Culture brings together secretaries' role in the production (and, more surprisingly, consumption) of modern culture with interpretations of their function in literature and film from Chaucer to Heidegger, by way of Dickens, Dracula, and Erle Stanley Gardner. These essays probe the relation of office practice to literary theory, asking what changes when literary texts represent, address, or acknowledge the human copyist or the mechanical writing machine. Topics range from copyright law to voice recognition software, from New Women to haunted typewriters and from the history of technology to the future of information management. Together, the essays will provide literary critics with a new angle on current debates about gender, labour, and the material text, as well as a window into the prehistory of our information age.
The Victorian Supernatural
Publisher Description
Sigmund Freud
The work of Sigmund Freud has penetrated almost every area of literary theory and cultural studies, as well as contemporary culture. Encouraging and preparing readers to approach Freud’s original texts, this guide ensures that readers of all levels will find Freud accessible, challenging and of continued relevance.
Literature, Technology, and Magical Thinking, 1880-1920
In this book Pamela Thurschwell examines the intersection of literary culture, the occult and new technology at the fin-de-siecle. Thurschwell argues that technologies such as the telegraph and the telephone annihilated distances that separated bodies and minds from each other. As these new technologies began suffusing the public imagination from the mid nineteenth century on, they seemed to support the claims of spiritualist mediums. Talking to the dead and talking on the phone both held out the promise of previously unimaginable contact between people: both seemed to involve 'magical thinking'. Thurschwell looks at the ways in which psychical research, the scientific study of the occult, is reflected in the writings of such authors as Henry James, George du Maurier and Oscar Wilde, and in the foundations of psychoanalysis. This study offers new and provocative interpretations of fin-de-siecle literary and scientific culture in relation to psychoanalysis, queer theory and cultural history.
Working Girls
Working Girls offers a cultural and literary history of telegraphists, typists, shop-girls, and barmaids. It argues that these occupations helped to shape a distinctively new identity for emancipated young women, and explores how authors used this to navigate a precarious literary landscape.
Popular Literature, Authorship and the Occult in Late Victorian Britain
A study of the representation of the occult in late-Victorian popular fiction, exploring different perceptions of authorship and creativity.
Satire in an Age of Realism
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult
Critical attention to the Victorian supernatural has flourished over the last twenty-five years. Whether it is spiritualism or Theosophy, mesmerism or the occult, the dozens of book-length studies and hundreds of articles that have appeared recently reflect the avid scholarly discussion of Victorian mystical practices. Designed both for those new to the field and for experts, this volume is organized into sections covering the relationship between Victorian spiritualism and science, the occult and politics, and the culture of mystical practices. The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult brings together some of the most prominent scholars working in the field to introduce current approaches to the study of nineteenth-century mysticism and to define new areas for research.
