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Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest.
This volume aims to contribute to the contemporary debate on the history of monarchy. The images of the Italian, Spanish and Portuguese crowns in the nineteenth and twentieth centuries are interpreted in accordance with classic historiographical interpretations and new methodological frontiers: roles, gender, interpretation; place, heritage and representation.
A collection of photographs of the youth of Greece by Calliope.
"Magdalena Abakanowicz was born to aristocratic parents in 1930 and raised on their country estate. She came of age against the tumultuous background of World War II and its aftermath. Today she is revered for her uncompromising, individualistic vision developed in her native Poland under the hostile eyes of the repressive Communist regime that was in power for most of her adult life. She has personally witnessed the worst of humanity's instinct for destructive behavior and has made art that unflinchingly presents the human condition. She had, by the 1960s, gained the beginning of an international reputation as a sculptor in soft materials with the creation of monumental environments called ...
April 9 - May 3, 1997
May 24 - June 26, 1999
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Realist painter Claudio Bravo has lived and worked in Morocco for over thirty years and has been greatly influenced by his adopted country. The Moroccan people as well as the country's textiles, pottery, architecture, plants, and flowers form the subjects of many of Bravo's exquisite paintings and drawings. Suffused with the special light of Morocco, they testify to a grand lineage of artistic inspiration and exploration between Western and Arabic worlds. But along with dazzling technique and refined beauty, Bravo's paintings also manifest a transcendental spirituality and an exceptional fidelity to both the magnificent and the homely. "Claudia Bravo and Morocco is the English-language edition of the important catalogue published on the occasion of the artist's solo exhibition at the Institut du Monde Arabe in Paris. This major exhibition presented 67 paintings that specifically related to Bravo's relationship with Morocco--all are reproduced here. Included as well are an illustrated biography, scholarly essays, and an extensive interview conducted especially for this publication.