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Non è come sembra
Un giovane scrittore è fermo, non sa andare avanti con il suo libro. Intorno a lui le poche amicizie sembrano sfumarsi ambiguamente. Un avvenimento tragico lo spinge ad indagare sui perché, con le sue dilettantesche e approssimative indagini. Finché tutto, alla fine, viene fuori com'è nella realtà, e non come sembra.
The Signifier and the Signified
The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analy...
Exploring the Limits of Preclassical Mechanics
The question of when and how the basic concepts that characterize modern science arose in Western Europe has long been central to the history of science. This book examines the transition from Renaissance engineering and philosophy of nature to classical mechanics oriented on the central concept of velocity. For this new edition, the authors include a new discussion of the doctrine of proportions, an analysis of the role of traditional statics in the construction of Descartes' impact rules, and go deeper into the debate between Descartes and Hobbes on the explanation of refraction. They also provide significant new material on the early development of Galileo's work on mechanics and the law of fall.
