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The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
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This title defines the theory and practice of 'classicism' as practised in the 1920s by a number of composers, writers, and artists, setting it off against other movements of the period that are customarily grouped together under the general heading of 'modernism'. It argues that classicism is a more precise term than neo-classicism during this period, since every classicism from antiquity to the present shares certain common qualities as well as characteristics of its own time.
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Is Shakespeare’s The Tempest a Mediterranean play? This volume explores the relationship between The Tempest and the Mediterranean Sea and analyses it from different perspectives. Some essays focus on close readings of the text in order to explore the importance of the Mediterranean Sea for the genesis of the play and the narration of the past and present events in which the Shakespearean characters participate. Other chapters investigate the relationship between the Shakespearean play, its resources from the Mediterranean Graeco-Latin past and its afterlives in twentieth-century poems looking at the Mediterranean dimension of the play. Moreover, influences on and of The Tempest are investigated, looking at how Italian Renaissance music may have influenced some choices concerning Ariel’s song(s) and how The Tempest has shaped the production of twentieth-century Italian directors. Finally, other chapters try to reaffirm the centrality of the Mediterranean Sea in The Tempest, bringing to the fore new textual evidence in support of the Mediterraneity of the play, by adopting and/or criticising recent approaches.
Il volume propone un viaggio attraverso il mondo del teatro, di cui vengono presi in esame sia gli aspetti artistici, sia quelli più strettamente tecnici. Lungo un percorso strutturato in più sezioni, vengono analizzati lo spazio teatrale, il testo drammatico e i generi, il concetto di interpretazione e di ricezione, le strategie in base alle quali si allestisce uno spettacolo teatrale, e il significato che assumono i diversi ruoli artistici di chi opera sul palcoscenico. Viene infine affrontato l'aspetto organizzativo, anche in rapporto alle più recenti leggi italiane che regolamentano lo spettacolo dal vivo.
Questo volume raccoglie i risultati di una ricerca promossa da alcuni docenti del Dipartimento di Studi Umanistici dell’Università degli Studi di Trieste sul linguaggio inteso nel senso più ampio del termine. Una ricerca interdisciplinare che propone alcune riflessioni sulla comunicazione verbale, su quella gestuale – anche in situazioni di disagio –, sulla lettura dei segnali provenienti dal corpo, ma anche un’analisi dei linguaggi e della comunicazione nell’ambito delle arti performative, prendendo in considerazione – nei vari ambiti disciplinari – le più recenti prospettive.
Articoli di F. Perrelli, L. Flaszen, A. Attisani, G. Lughi, A. Pizzo, A. Valle, A. Lieto, R. Damiano, V. Michielon, V. Lombardo, N. Guardini, A. Olivero, E. Marinai, L. Lanera, R. Spagnulo, M. Giacobbe Borelli, G. Randone, V. Di Vita.