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The 2007 manifesto in favour of a "Litterature-monde en francais" has generated new debates in both "francophone" and "postcolonial" studies. Praised by some for breaking down the hierarchical division between "French" and "Francophone" literatures, the manifesto has been criticized by othersfor recreating that division through an exoticizing vision that continues to privilege the publishing industry of the former colonial metropole. Does the manifesto signal the advent of a new critical paradigm destined to render obsolescent those of "francophone" and/or "postcolonial" studies? Or isit simply a passing fad, a glitzy but ephemeral publicity stunt generated and promoted by writers and publis...
This stimulating and insightful book reveals how increased control over immigration has changed cultural and social production in theatre, literature, and even museum construction. Dominic Thomas's analysis unravels the complex cultural and political realities of long-standing mobility between Africa and Europe. Thomas questions the attempt to place strict limits on what it means to be French or European and offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness.
Malcolm X at Oxford Union tells one of the great unknown stories from the Civil Rights era, capturing the powerful oratorical gifts of Malcolm X and the changing world of racial politics - all from the vantage point of an old debate hall on the campus of Oxford in 1964.
In The Contemporary Fantastic: Reimagining Reality in French Fiction, Amanda Vredenburgh identifies a contemporary shift in the use of fantastic modalities in French fiction, no longer dominated by the desire to escape the disappointments of reality nor the reader’s hesitation about the reality of the novel’s events, but by its innovative confrontation with the real. What could bizarre, uncanny, or supernatural literary representations have to tell us about very urgent, real issues like the environmental crisis, racism, migration, and the formation of egalitarian communities? Through close readings of a selection of novels by Marie Darrieussecq, Marie NDiaye, and Antoine Volodine, Vreden...
The Black Populations of France is a study of Black peoples and their history in France and the French Empire during the modern era, from the eighteenth century to the present. The contributors to this collection explore three main axes. The first addresses circulations--the ways Black populations have moved through the spaces of metropolitan France and the empire--and focuses on the actors themselves and the margins of maneuver available to them, particularly as soldiers, sailors, immigrants, or political militants. The second considers legacies and the ways the past has informed the present, addressing themes such as the memory of slavery, the histories of Black women and gender, and the h...
First critical study of prize-winning French author Marie NDiaye.
What does it mean to be a citizen? What impact does an active democracy have on its citizenry and why does it fail or succeed in fulfilling its promises? Most modern democracies seem unable to deliver the goods that citizens expect; many politicians seem to have given up on representing the wants and needs of those who elected them and are keener on representing themselves and their financial backers. What will it take to bring democracy back to its original promise of rule by the people? Bernd Reiter’s timely analysis reaches back to ancient Greece and the Roman Republic in search of answers. It examines the European medieval city republics, revolutionary France, and contemporary Brazil, ...
Women’s Writing in Twenty-First Century France is a collection of critical essays on recent women-authored literature in France. It takes stock of the themes, issues and trends in women’s writing of the first decade of the twenty-first century, and it engages critically with the work of individual authors through close textual readings. Authors covered include major prizewinners, best-selling authors, established and new writers whose work attracts scholarly attention, including those whose texts have been translated into English such as Christine Angot, Nina Bouraoui, Marie Darrieussecq as Chloé Delaume, Claudie Gallay and Anna Gavalda. Themes include translation, popular fiction, society, history, war, family relations, violence, trauma, the body, racial identity, sexual identity, feminism, life-writing and textual/aesthetic experiments.
Based on dozens of intensive interviews with people living in France who trace their origins to non-European countries, Foreigners in Their Own Country reports on the experience of being seen as different from those who are considered unquestionably "French" because of one's physical appearance. Paying close attention to how people speak about themselves and their acceptance and rejection by others, this book provides an intimate account of the challenges faced by the millions of people in France--and throughout Western Europe--who fully participate in the life of their country but are often not seen as belonging there.