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Thinking with the South
This volume brings together a series of discussions by scholars from a range of disciplinary, (trans)regional and epistemic perspectives that came out of the Berlin-based "co2libri" networking initiative, with longstanding collaborative partners based in the global South. "Co2libri" stands for "conceptual collaboration: living borderless research interaction". As an interdisciplinary and transregional oriented initiative, co2libri envisages a multicentric perspective that integrates neglected positions of Southern theory and praxis into the heart of academic conversations. Co2libri’s collaborative endeavor builds on long-standing active connections with partners in Africa, South and Southe...
Another Politics
Amidst war, economic meltdown, and ecological crisis, a Ònew spirit of radicalism is bloomingÓ from New York to Cairo, according to Chris Dixon. In Another Politics, he examines the trajectory of efforts that contributed to the radicalism of Occupy Wall Street and other recent movement upsurges. Drawing on voices of leading organizers across the United States and Canada, he delivers an engaging presentation of the histories and principles that shape many contemporary struggles. Dixon outlines the work of activists aligned with anti-authoritarian, anti-capitalist, and anti-oppression politics and discusses the lessons they are learning in their efforts to create social transformation. The book explores solutions to the key challenge for todayÕs activists, organizers, fighters, and dreamers: building a substantive link between the work of Òagainst,Ó which fights ruling institutions, and the work of Òbeyond,Ó which develops liberatory alternatives.
Utsuwa
A piece must be practical enough to be used every day. It must be crafted at its place of origin, using traditional techniques and materials. And it must be handmade. Japanese craft has long been revered for its quality and beauty, and skilled craftwork remains an important part of Japanese life. 'Utsuwa', meaning 'for everyday use', embodies the ethos of handmaking in Japan, where handcrafted wares must be as practical as they are beautiful. This book takes us behind the scenes into the private studios of some of Japan's most exciting artisans to reveal stories of material, method, place and culture. It guides us through quiet galleries and colourful marketplaces, where the provenance of a piece is central to its story. Utsuwa is a love letter to the makers and sellers, and to all those who share the Japanese reverence for tradition and beauty.
Native Lands
Native Lands analyzes the role of visual and literary culture in contemporary Indigenous campaigns for territorial rights. In the post-1960s era, Indigenous artists and writers have created works that align with the goals and strategies of new Native land-based movements. These works represent Native histories and epistemologies in ways that complement activist endeavors, while also probing the limits of these political projects, especially with regard to gender. The social marginalization of Native women was integral to dispossession. And yet its enduring consequences have remained largely neglected, even in Native organizing, as a pressing concern associated with the status of Indigenous people in settler nation-states. The cultural works discussed in this book provide an urgent Indigenous feminist rethinking of Native politics that exposes the innate gendered dimensions of ongoing settler colonialism. They insist that Indigenous campaigns for territorial rights must entail gender justice for Native women.
Islands and Oceans
Sovereignty is a term used by stateless people seeking decolonization as well as by dominant social groups struggling to reassert their socially privileged positions. All sorts of political actors, it seems, are interested in sovereignty. It is less clear, however, just what the term means, and whether calls for sovereignty promote a politically progressive or conservative agenda. Examining how sovereignty functions allows us to better understand the dangers, promise, and limitations of relying on it as a political strategy. Islands and Oceans explores how struggles for decolonization, self- determination, and political rights permeate conceptualizations of how sovereignty operates. To suppo...
Women in the Garden
Mary Lou Sanelli was raised in Connecticut, educated in Boston, and now lives and works in Port Townsend, a small coastal town located on Washington state's Olympic Peninsula, and in Seattle's vibrant downtown Belltown district. Sanelli's previous collections include CLOSE AT HAND, LONG STREAKS OF FLASHING DAYLIGHT, and LINEAGE. She coordinates Port Townsend's celebrated Sunday at One Poetry Series, now in its fifteenth year, and she is Artistic Director of The Moving Arts Dance Company.
Autonomy
Autonomy: Capital, Class and Politics explores and critiques one of the most dynamic terrains of political theory, sometimes referred to as 'Autonomist Marxism' or post-Operaismo. This theory shot to prominence with the publication of Empire by Hardt and Negri and has been associated with cutting edge developments in political and cultural practice; yet there exists no work that critically examines it in its contemporary breadth. Taking three divergent manifestations of Autonomist Marxism found in the works of Antonio Negri and Paulo Virno, the Midnight Notes Collective and John Holloway, David Eden examines how each approach questions the nature of class and contemporary capitalism and how they extrapolate politics. Not only is such juxtaposition both fruitful and unprecedented but Eden then constructs critiques of each approach and draws out deeper common concerns. Suggesting a novel rethinking of emancipatory praxis, this book provides a much needed insight into the current tensions and clashes within society and politics.
Paper Boat
An extraordinary career-spanning collection from one of the most revered poets and storytellers of our age Tracing the legacy of Margaret Atwood – a writer who has fundamentally shaped our contemporary literary landscapes – Paper Boat assembles Atwood’s most vital poems in one essential volume. In pieces that are at once brilliant, beautiful and hyper-imagined, Atwood gives voices to remarkably drawn characters – mythological figures, animals and everyday people – all of whom have something to say about what it means to live in a world as strange as our own. ‘How can one live with such a heart?’ Atwood asks, casting her singular spell upon the reader, and ferrying us through life, death and whatever comes next. Walking the tightrope between reality and fantasy as only she can, Atwood’s journey through poetry illuminates our most innate joys and sorrows, desires and fears. Spanning six decades of work – from her earliest beginnings to brand new poems – this volume charts the evolution of one of our most iconic and necessary authors. ‘We should regard Atwood as a poet first and foremost – just one who happens to be a highly regarded novelist’ Sunday Herald
Revolution and State in Modern Mexico
Now in an updated edition, this groundbreaking study develops a new approach to understanding the formation of the postrevolutionary state in Mexico. In a shift away from dominant interpretations, Adam David Morton considers the construction of the revolution and the modern Mexican state through a fresh analysis of the Mexican Revolution, the era of import substitution industrialization, and neoliberalism. Throughout, the author makes interdisciplinary links among geography, political economy, postcolonialism, and Latin American studies in order to provide a new framework for analyzing the development of state power in Mexico. He also explores key processes in the contestation of the modern ...
This Paper Boat
In This Paper Boat, poet Gregory Kan traces the life and written fragments of Robin Hyde, vivid with imagery and impression – the tide pool at Island Bay and its shrimp, the driftwood and crushed lemon leaves. He listens to the stories of his parents and of their parents, the eels and milk, frangipani trees and barbed wire of their childhoods. He remembers a jungle of his own; he searches for a friend gone astray; he finds ghosts. Entwined as narrative but reft with fragments, this book examines the public and private rituals of institutions, martial and medical, and of communities, families and individuals. With the irreparable fractures in identity and material, time and space, the author discovers a world driven by its incompleteness and constructability.
