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Johannes Kahrs
At first glance, Johannes Kahrs' dramatic paintings and drawings seem to carry forward the clear, everyday truths of snapshots; on closer inspection they become intricate, mysterious, fictional worlds. Kahrs manipulates found imagery from film stills, newspapers and personal photographs and liberates figures from their original contexts into dark, uncanny atmospheres. Through an intense pursuit of detail, he works to transplant into the viewer his own initial fascination with the image for its own sake. On top of all this methodology and maneuvering, he distances the viewer from the works by presenting them behind glass, so that their glazed surfaces throw back light and reflection. Kahrs, born in Bremen in 1961 and currently based in Berlin, has shown widely in Europe, at the Drawing Center and P.S.1 in New York, the Phoenix Art Museum and Miami's Bass Museum of Art.
Adel Abdessemed
Published alongside an exhibition at Parasol unit foundation for contemporary art (22 September - 21 November 2010), the first solo exhibition in London that is dedicated to the work of Adel Abdessemed. Working across a wide range of different media, including sculpture, installation, video, photography and drawings, Abdessemed passionately tackles difficult subject matter and taboos within society and presents them as naked truth. Yet beyond their often challenging and provocative appearance, his works embody the fragility of life and are deeply imbued with beauty and poetry. Abdessemed's exhibition at Parasol unit highlights precisely the vulnerability and aesthetic sensitivity in the work of this important twenty-first-century artist. The exhibition is organised around two of his major works; Habibi, 2003, a 17 metre human skeleton made of fibreglass; and silent warrior, which includes numerous colourful masks made from found and empty tin cans from Africa, which once contained either food or toxic material. Abdessemed was born in Algeria in 1971 and now lives and works in Paris.
RAYYANE TABET:ENCOUNTERS HB
To coincide with the first major solo exhibition in the UK by Lebanese artist Rayyane Tabet (b. 1983), Parasol unit foundation for contemporary art has produced a publication featuring full-page colour reproductions of the exhibited works.Rayyane Tabet's works present fleeting moments in time and place, offering alternative perceptions or paradoxical views of political and personal events in an historical timeline presented here within the parameters of sculpture and found objects.Tabet explores the relationship between past and present, memory and reality. Like an archaeologist, he unearths hidden narratives in experiences and materials whose existence and content give rich meaning to his s...
The Strangeness of Beauty
After several years in the U.S. a Japanese woman returns to Japan, taking along a niece raised in the U.S. The novel describes their adjustment to Japanese culture, different for each generation.
Keith Tyson
Keith Tyson's work can be seen as an ongoing investigation into the question of how things come into being. Many of them investigate the physical forms and systems found within the natural world; others examine the effects of mankind on the environment, and the ensuing man-made forms and systems. In other works, Tyson questions the creation of the artwork itself, positing it as something which can be randomly generated by systems, but simultaneously making us aware that these systems are generated by the artist. For the first time in a publication, Tyson's work is examined simultaneously from both an artistic, mathematical and spiritual position, providing a new insight into the artist's approach. Keith Tyson was born in 1969 in Ulverston (UK). He lives and works in Brighton and London, England.
Here & There
The term ?still life? signals the fundamental experience of painting for Milroy, encapsulating her fascination with the relation between stillness and movement, contemplation and action.0In 'Here & There', motifs of clothing and shoes are foregrounded, object categories that have defined Milroy?s work since the 1980s.00Exhibition: Parasol Unit Foundation for Contemporary Art, London UK (17.01.-18.03.2018).
Magical Surfaces
To mark the occasion of the exhibition, Magical Surfaces: The Uncanny in Contemporary Photography, Parasol unit has published a comprehensive, limited edition publication.0The works of the seven artists selected for this exhibition, Sonja Braas, David Claerbout, Elger Esser, Julie Monaco, Jörg Sasse, Stephen Shore and Joel Sternfeld, all reveal in varying forms the idea of the uncanny ? from the magical to the strange and fearful. Each of the exhibiting artists has chosen their own process, either manipulating photographic imagery or creating such settings, which prompts us to marvel at the many ways the uncanny can occur in surfaces and realise once more that any photograph is indeed authored.00Exhibition: Parasol unit foundation for contemporary art, London, UK (13.04.-19.06.2016).
Julian Charrière
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