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This exhibition is a remarkable introduction to Charles Avery's The Islanders, a work-in-progress that describes in drawing, painting, sculpture and text the topology and cosmology of an imaginary island.
After several years in the U.S. a Japanese woman returns to Japan, taking along a niece raised in the U.S. The novel describes their adjustment to Japanese culture, different for each generation.
To coincide with the first major solo exhibition in the UK by Lebanese artist Rayyane Tabet (b. 1983), Parasol unit foundation for contemporary art has produced a publication featuring full-page colour reproductions of the exhibited works.Rayyane Tabet's works present fleeting moments in time and place, offering alternative perceptions or paradoxical views of political and personal events in an historical timeline presented here within the parameters of sculpture and found objects.Tabet explores the relationship between past and present, memory and reality. Like an archaeologist, he unearths hidden narratives in experiences and materials whose existence and content give rich meaning to his s...
Nathan Cash Davidson populates his brightly colored paintings with such figures as King Henry VIII, Mr. Punch, George Bush and Ali G., as well as his own family members. These characters collide with gargoyles and mythological beasts in otherworldly forests, cathedrals, desert islands and council estates.
Boundary Layer is the first full publication on Tabaimo's work, illustrating the large-scale interactive video pieces featured in the show at the Parasol unit, London, May ndash; August 2010, including Japanese Kitchen (1999), hanabi-ra (2003), guigunorama (2006), public conVENience (2006) and yudangami (2009). The book discusses Tabaimo's beautiful yet disturbing hand-drawn animations, which mix traditional Japanese imagery with digital video techniques. It illustrates both dark satirical pieces that critique modern Japanese society as well as those inspired by the media and Tabaimo's own personal experiences. English text.;
At first glance, Johannes Kahrs' dramatic paintings and drawings seem to carry forward the clear, everyday truths of snapshots; on closer inspection they become intricate, mysterious, fictional worlds. Kahrs manipulates found imagery from film stills, newspapers and personal photographs and liberates figures from their original contexts into dark, uncanny atmospheres. Through an intense pursuit of detail, he works to transplant into the viewer his own initial fascination with the image for its own sake. On top of all this methodology and maneuvering, he distances the viewer from the works by presenting them behind glass, so that their glazed surfaces throw back light and reflection. Kahrs, born in Bremen in 1961 and currently based in Berlin, has shown widely in Europe, at the Drawing Center and P.S.1 in New York, the Phoenix Art Museum and Miami's Bass Museum of Art.
**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019** **WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019** Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily – h...