You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This exhibition is a remarkable introduction to Charles Avery's The Islanders, a work-in-progress that describes in drawing, painting, sculpture and text the topology and cosmology of an imaginary island.
Published alongside an exhibition at Parasol unit foundation for contemporary art (22 September - 21 November 2010), the first solo exhibition in London that is dedicated to the work of Adel Abdessemed. Working across a wide range of different media, including sculpture, installation, video, photography and drawings, Abdessemed passionately tackles difficult subject matter and taboos within society and presents them as naked truth. Yet beyond their often challenging and provocative appearance, his works embody the fragility of life and are deeply imbued with beauty and poetry. Abdessemed's exhibition at Parasol unit highlights precisely the vulnerability and aesthetic sensitivity in the work of this important twenty-first-century artist. The exhibition is organised around two of his major works; Habibi, 2003, a 17 metre human skeleton made of fibreglass; and silent warrior, which includes numerous colourful masks made from found and empty tin cans from Africa, which once contained either food or toxic material. Abdessemed was born in Algeria in 1971 and now lives and works in Paris.
To coincide with the first major solo exhibition in the UK by Lebanese artist Rayyane Tabet (b. 1983), Parasol unit foundation for contemporary art has produced a publication featuring full-page colour reproductions of the exhibited works.Rayyane Tabet's works present fleeting moments in time and place, offering alternative perceptions or paradoxical views of political and personal events in an historical timeline presented here within the parameters of sculpture and found objects.Tabet explores the relationship between past and present, memory and reality. Like an archaeologist, he unearths hidden narratives in experiences and materials whose existence and content give rich meaning to his s...
To mark the occasion of the exhibition, Magical Surfaces: The Uncanny in Contemporary Photography, Parasol unit has published a comprehensive, limited edition publication.0The works of the seven artists selected for this exhibition, Sonja Braas, David Claerbout, Elger Esser, Julie Monaco, Jörg Sasse, Stephen Shore and Joel Sternfeld, all reveal in varying forms the idea of the uncanny ? from the magical to the strange and fearful. Each of the exhibiting artists has chosen their own process, either manipulating photographic imagery or creating such settings, which prompts us to marvel at the many ways the uncanny can occur in surfaces and realise once more that any photograph is indeed authored.00Exhibition: Parasol unit foundation for contemporary art, London, UK (13.04.-19.06.2016).
Keith Tyson's work can be seen as an ongoing investigation into the question of how things come into being. Many of them investigate the physical forms and systems found within the natural world; others examine the effects of mankind on the environment, and the ensuing man-made forms and systems. In other works, Tyson questions the creation of the artwork itself, positing it as something which can be randomly generated by systems, but simultaneously making us aware that these systems are generated by the artist. For the first time in a publication, Tyson's work is examined simultaneously from both an artistic, mathematical and spiritual position, providing a new insight into the artist's approach. Keith Tyson was born in 1969 in Ulverston (UK). He lives and works in Brighton and London, England.
Nathan Cash Davidson populates his brightly colored paintings with such figures as King Henry VIII, Mr. Punch, George Bush and Ali G., as well as his own family members. These characters collide with gargoyles and mythological beasts in otherworldly forests, cathedrals, desert islands and council estates.
After several years in the U.S. a Japanese woman returns to Japan, taking along a niece raised in the U.S. The novel describes their adjustment to Japanese culture, different for each generation.
Published on the occasion of the exhibition: Time and memory: Cecilia Edefalk & Gunnel Weahlstrand, 23 November 2011 - 12 February 2012.
Boundary Layer is the first full publication on Tabaimo's work, illustrating the large-scale interactive video pieces featured in the show at the Parasol unit, London, May ndash; August 2010, including Japanese Kitchen (1999), hanabi-ra (2003), guigunorama (2006), public conVENience (2006) and yudangami (2009). The book discusses Tabaimo's beautiful yet disturbing hand-drawn animations, which mix traditional Japanese imagery with digital video techniques. It illustrates both dark satirical pieces that critique modern Japanese society as well as those inspired by the media and Tabaimo's own personal experiences. English text.;
**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019** **WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019** Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily – h...