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This book collects revised versions of papers first delivered at the “Understanding Different Geographies Symposium” held in Puchberg am Schneeberg, Austria in 2011. The Symposium focussed on “Communicating Meaning with [Geo]Graphic Artefacts”. The general topics of the chapters cover: - Exploring geographic knowledge - Maps in exhibition spaces - Information and exhibition design with (geo)graphic artefacts - Extracting meaning from visualisations of different geographies - Deconstructing maps of information - and other spaces
Das hier in neuer Auflage vorgelegte Repertorium soll dazu dienen, zwei Grundproblemen der mediävistischen Forschung zu beheben: Diese Epoche des Denkens war von gewaltiger Produktivität gekennzeichnet, deren Überlieferung in vielfältiger Weise mit Schwierigkeiten behaftet ist. Die Überlieferung ist nicht nur in hohen Maße eine handschriftliche, sondern auch äußerst lückenhaft und von vielen Wissensverlusten, etwa bezüglich der Autorschaft, betroffen. Da seit dem 19. Jahrhundert viele der Texte nur in Auszügen ediert worden sind, finden sich Teiltexte aus demselben Werk oft an vielen Orten. Dieser Unübersichtlichkeit versucht das Repertorium Abhilfe zu schaffen. Die aufgenommenen...
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
This first critical edition of Hugo Grotius’ most important work on church and state is based on manuscript evidence, and offers a completely new text, an extensive introduction, an English translation, a commentary, and an appendix of other relevant texts. The print edition is available as a set of two volumes (9789004120273).
Classic graphic accounts of more than 4,000 Christians who endured suffering, torture, and a martyr’s death because of their simple faith in the gospel of Christ. Includes more than 50 finely detailed etchings by noted Dutch artist Jan Luyken. Songs, letters, prayers, and confessions appear with the stories of many “defenseless Christians” who were able to love their enemies and return good for evil. This gigantic book calls believers to follow Jesus in all areas of life, even unto death. Come what may, true Christian commitment demands supreme discipleship and steadfast adherence to the teachings modeled by Jesus and his apostles. Written and published in 1659 by a Dutch Mennonite, Thieleman J. van Braght, to strengthen the faith of his fellow believers, and translated into German in 1748 at the time of the French and Indian War for the same reason. In 1886 Martyrs Mirror was translated into English to challenge generations of Christians in North America. Free downloadable study guide available here.