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Man, machine and music
  • Language: en
  • Pages: 212

Man, machine and music

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The Can Book
  • Language: en
  • Pages: 192

The Can Book

  • Type: Book
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  • Published: 1989
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  • Publisher: Unknown

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Kraftwerk
  • Language: en
  • Pages: 226

Kraftwerk

Now into its fourth edition, this perennial bestseller has been updated and revised to coincide with the band's 2004 World Tour. Kraftwerk's influence and place in the annals of music history is ever growing. This is the first, and still the best, biography. Appearing in B-format for the first time, Bussy has included information about Kraftwerk's first new album in 16 years.

Industrial Evolution
  • Language: en
  • Pages: 298

Industrial Evolution

Garbage collection, drum machines, big business, male mascara, militant unions and drugs. The ultimate eighties cocktail.

Hereditary Genius
  • Language: en
  • Pages: 416

Hereditary Genius

  • Type: Book
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  • Published: 1870
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  • Publisher: Unknown

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Kraftwerk: I Was a Robot
  • Language: en
  • Pages: 398

Kraftwerk: I Was a Robot

Wolfgang Flür was vital cog in the Kraftwerk machine, galvanising the group’s electric drum sound throughout the 1970’s and propelling the rhythmic backbone of iconic albums such as Autobahn and Electric Café. I Was A Robot is a detailed, evocative account, written in Flür’s no-nonsense style. It takes us from his youth into the band’s formation and touring of their influential works, laying bare the acrimonious break-up and court cases that later followed. This book is the final word on Kraftwerk, their continued influence and what it felt like to be a Man-Machine. ”This is a first-hand account of human life inside the robot factory. A world that I could barely have imagined as a 16-year-old Kraftwerk fan stranded in a suburb on the wrong side of the river from Liverpool. A window into a world that I could never have imagined.” Andy McCluskey, OMD ”Kraftwerk is a myth. Wolfgang is for real. Thus handsome elder statesman of Electronic Music gives a lot of useful inside information about the Men-Machines.” Rudi Esch, ELECRI_CITY

The Well of Loneliness
  • Language: en
  • Pages: 464

The Well of Loneliness

This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.

Love as Passion
  • Language: en
  • Pages: 268

Love as Passion

Originally published: Cambridge, Mass.: Harvard University Press, 1986.

All Gates Open
  • Language: en
  • Pages: 501

All Gates Open

All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique inter...

Turn on Your Mind
  • Language: en
  • Pages: 662

Turn on Your Mind

(Book). Turn On Your Mind: Four Decades of Great Psychedelic Rock is a history and critical examination of rock's most inventive genre. Whether or not psychedelic drugs played a role (and as many musicians say they've used them as not), psychedelic rock has consistently charted brave new worlds that exist only in the space between the headphones. The history books tell us the music's high point was the Haight-Ashbury scene of 1967, but the genre didn't start in San Francisco, and its evolution didn't end with the Summer of Love. A line can be drawn from the hypnotic drones of the Velvet Underground to the disorienting swirl of My Bloody Valentine; from the artful experiments of the Beatles' ...