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New paperback edition of The Reservoir from author, actor, and musician David Duchovny includes a bonus, brand-new short story, "The Scare Owl" The Reservoir follows an unexceptional man in an exceptional time. We see our present-day pandemic world and New York City through the eyes of a former Wall Street veteran, Ridley, as he looks back upon his life in his enforced quarantine solitude, wondering what it all means and who he really is. Sitting and brooding night after night, gazing out his huge picture window high above the Central Park Reservoir, Ridley spots a flashing light in an apartment across the park as if a lonely quarantined person is signaling him in Morse code. His determinati...
Learn to design your own programming language in a hands-on way by building compilers, using preprocessors, transpilers, and more, in this fully-refreshed second edition, written by the creator of the Unicon programming language. Purchase of the print or Kindle book includes a free PDF eBook Key Features Takes a hands-on approach; learn by building the Jzero language, a subset of Java, with example code shown in both the Java and Unicon languages Learn how to create parsers, code generators, scanners, and interpreters Target bytecode, native code, and preprocess or transpile code into a high-level language Book DescriptionThere are many reasons to build a programming language: out of necessi...
This volume is unique in bringing together representatives of many different approaches to Heidegger's philosophy.
By approaching an important foreign policy issue from a new angle, Jonathan Mercer comes to a startling, controversial discovery: a nation's reputation is not worth fighting for. He presents the most comprehensive examination to date of what defines a reputation, when it is likely to emerge in international politics, and with what consequences. Mercer examines reputation formation in a series of crises before World War I. He tests competing arguments, one from deterrence theory, the other from social psychology, to see which better predicts and explains how reputations form. Extending his findings to address recent crises such as the Gulf War, he also considers how culture, gender, and nuclear weapons affect reputation. Throughout history, wars have been fought in the name of reputation. Mercer rebuts this politically powerful argument, shows that reputations form differently than we thought, and offers policy advice to decision-makers.
Living in the Los Angeles wasteland can be tough – especially when you’re just some dude whose only real skill is computer hacking. So, Artie Gonzalez spends most of his days building drones, modifying his bipolar robot girlfriend, and scavenging for his next pair of Chuck Taylors. Artie watched the world end ten years ago. That was after the famous programmer Satoshi Nakamoto released the world’s first sentient artificial intelligence. Now planet Earth is a dump and Artie has finally accepted that fact, doing what any other respectable tech-nerd might do in his situation – build a post-apocalyptic man-cave. But the world is much different than he thinks. He’ll soon learn that thugs, raiders, and the occasional mutant are the least of his concerns. Something terrible is making its way from the east, kidnapping humans and rendering cities desolate and Artie may be the only one with the skills to stop it. With the help of some new friends, Artie is about to embark upon the quest of a lifetime and maybe earn some Bitcoin along the way.
Against World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the "Untranslatable"-the realm of those words that are continually retranslated, mistranslated, transferred from language to language, or especially resistant to substitution. In the place of "World Literature"-a dominant paradigm in the humanities, one grounded in market-driven notions of readability and universal appeal-Apter proposes a plurality of "world literatures" oriented around philosophical concepts and geopolitical pressure points. The history and theory of the language that constructs World Literature is critically examined with a special focus on Weltliteratur, literary world systems, narrative ecosystems, language borders and checkpoints, theologies of translation, and planetary devolution in a book set to revolutionize the discipline of comparative literature.
In 1810, after establishing a reputation as Europe's most prolific philosopher, F. W. J. Schelling embarked on his most ambitious project, The Ages of the World. For over a decade he produced multiple drafts of the work before finally conceding its failure, a "failure" in which Heidegger, Jaspers, Voegelin, and many others have discerned a pivotal moment in the history of philosophy. Slavoj Žižek calls this text the "vanishing mediator," the project that, even while withheld and concealed from view, connects the epoch of classical metaphysics that stretches from Plato to Hegel with the post-metaphysical thinking that began with Marx and Kierkegaard. Although drafts of the second and third versions from 1813 and 1815 have long been available in English, this translation by Joseph P. Lawrence is the first of the initial 1811 text. In his introductory essay, Lawrence argues for the importance of this first version of the work as the one that reveals the full sweep of Schelling's intended project, and he explains its significance for concerns in modern science, history, and religion.
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)