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A History of Child Psychoanalysis
Child analysis has occupied a special place in the history of psychoanalysis because of the challenges it poses to practitioners and the clashes it has provoked among its advocates. Since the early days in Vienna under Sigmund Freud child psychoanalysts have tried to comprehend and make comprehensible to others the psychosomatic troubles of childhood and to adapt clinical and therapeutic approaches to all the stages of development of the baby, the child, the adolescent and the young adult. Claudine and Pierre Geissmann trace the history and development of child analysis over the last century and assess the contributions made by pioneers of the discipline, whose efforts to expand its theoretical foundations led to conflict between schools of thought, most notably to the rift between Anna Freud and Melanie Klein. Now taught and practised widely in Europe, the USA and South America, child and adolescent psychoanalysis is unique in the insight it gives into the psychological aspects of child development, and in the therapeutic benefits it can bring both to the child and its family.
Aribo, De musica and Sententiae
Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. In the first new edition of the treatise in over sixty years, McCarthy addresses not only new approaches to the study of music history but newly discovered manuscripts of the treatise, paying careful attention to the diagrams that are integral to the coherence of the treatise.
Magister Jacobus de Ispania, Author of the Speculum musicae
The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of scholastic philosophy, theology and mathematics. For nearly a century, its author has been known as Jacques de Liège or Jacobus Leodiensis. ’Jacobus’ is certain, fixed by an acrostic declared within the text; Liège is hypothetical, based on evidence shown here to be less than secure. The one complete manuscript, Paris BnF lat. 7207, thought by its editor to be Florentine, can now be shown on the basi...
The Study of Medieval Manuscripts of England
This volume consists of sixteen important studies, all dealing with manuscripts produced in medieval England. The first group reflects the meticulous analysis of liturgical manuscripts that characterize the honorand's career. These treat both early and late medieval liturgical concerns and include liturgy for Gilbertine lay brothers, a lost treatise by Amalarius, the re-working of an Anglo-Saxon Gospel book; the music for the Vigil of St. Thomas Becket; and the continuity of Processions from Old Sarum to Salisbury Cathedral. Two studies examine the liturgies having to do with saints in Sarum missals and breviaries. The second, historical, section of this volume includes three studies on Anglo-Saxon manuscripts. Six other analyses concern the high and later Middle Ages.
Cataloguing Discrepancies
Cataloguing Discrepancies reviews the description and cataloguing, from the early eighteenth century to the present day, of an early English Breviary, printed in 1493. With a critical eye, Andrew Hughes summarizes the work that has been done on this liturgical book, of which two complete copies and a number of fragments are extant. How these copies have been described - and more importantly how these accounts differ - is a central question of this volume. Based on the discrepancies and errors in the existing catalogues of medieval liturgical books, many of which repeat erroneous information for generations, the authors illustrate the defects, problems, and opportunities encountered when technologies of the fifteenth and the twenty-first centuries converge. Not only questioning existing bibliographical practices, Cataloguing Discrepancies suggests practical means for improvements to the future description of early printed books of this kind.
Musical Notation in the West
A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
Music and the moderni
Challenges current accounts of the French ars nova, a musical art that was both criticised and heralded for its modernity.
