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Past Imperfect
FROM THE CREATOR OF DOWNTON ABBEY and THE GILDED AGE A SUNDAY TIMES BESTSELLER 'A gloriously funny ride through modern times' Evening Standard Damian Baxter is very, very rich. But he has but one concern, which is becoming more urgent at the weeks go by: who should inherit his fortune. A letter from an ex-girlfriend suggests that, as a young man, Damian may have fathered a child, but the letter is anonymous. Finding the truth will not be easy - and the only man who Damian can turn to for help also happens to be his sworn enemy... 'A must-read' Sunday Express 'An elegant satire, it offers an entertaining commentary on our times and a heartfelt lament for a kinder, more courteous Britain' Tatler 'A witty take on the world as it was and is now' Woman & Home
Past Imperfect
Recalling Hopkins or Dickinson in their urgency, these poems seduce the reader into experiencing life's darkest moments while revealing unexpected shafts of light. In a voice that is at once confident, elegant, and doubtful, the author scans the world as if through the wrong end of a telescope, employing recurrent images and exploring obsessions to produce a remarkably exact account of remote, intimate dealings. "I will have to explain myself to myself," she writes, but in doing so communicates a great deal about all of us.
Past Imperfect
The essays and talks gathered in Past Imperfect cover a broad range of topics of continuing relevance to the humanities and to scholarship in general. Part I collects Towner's historical essays on the indentured servants, apprentices, and slaves of colonial New England that are standards of the "new social history." The pieces in Part II express his vision of the library as an institution for research and education; here he discusses the rationale for the creation of research centers, the Newberry's pioneering policies for conservation and preservation, and the ways in which collections were built. In Part III Towner writes revealingly of his co-workers and mentors. Part IV assembles his statements as "spokesman for the humanities," addressing questions of national priorities in funding, and of so-called elitist scholarship versus public programs.
Past Imperfect
The uniquely prominent role of French intellectuals in European cultural and political life following World War II is the focus of Tony Judt's newest book. He analyzes this intellectual community's most divisive conflicts: how to respond to the promise and the betrayal of Communism and how to sustain a commitment to radical ideals when confronting the hypocrisy in Stalin's Soviet Union, in the new Eastern European Communist states, and in France itself. Judt shows why this was an all-consuming moral dilemma to a generation of French men and women, how their responses were conditioned by war and occupation, and how post-war political choices have come to sit uneasily on the conscience of late...
Past Imperfect
Swept up in the vortex of communism, French postwar intellectuals developed a blind spot to Stalinist tyranny. Albert Camus, who had been an authentic moral voice of the Resistance, pretended not to know about the crimes and terrors of the Soviet Union. Jean-Paul Sartre perverted logic to make an apologia for the Soviet invasion of Hungary. Simone de Beauvoir called for social change to be brought about in a single convulsion, or else not at all. Foolish French thinkers, suffering self-imposed moral anesthesia, defended the credibility of the show trials in Stalinized Eastern Europe. In a devastating study, Judt, a professor of European studies at New York University, argues that the belief system of postwar intellectuals, propped up by faith in communism, reflected fatal weaknesses in French culture such as the fragility of the liberal tradition and the penchant for grand theory. He also strips away the postwar myth that the small, fighting French Resistance was assisted by the mass of the nation.
Past Imperfect
A car accident in California and a deadly assault in Provence leaves two boys 30 years apart battling for their lives. Dominic Fornier is the French detective at the heart of the case which takes him from town hall archives to the corridors of power.
Past Imperfect
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Past Imperfect
The beautiful and talented actress recounts her professional and personal life, from her childhood in England, through her three broken marriages and love affairs, to her daughter's accident and recovery
Past Imperfect
Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal.
Past Imperfect
Jules Mullins is, in all respects, a normal grounded twenty-something—with one exception. Since she was a small child, she’s dreamed about a group of people she’s never met—a violent bunch who speak barely discernable English, wear peculiar clothing, and completely ignore her. She learned early on not to discuss her dreams. Adults would pat her on the head and tell her she had “quite the imagination,” while other children just found her stories creepy. As the years passed, her dreams became more frequent and intense. Jules worried that she might be losing her sanity. Then she met Claire Wilder, a new age bookstore owner with an entirely different viewpoint: Jules wasn’t dreamin...
