Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Past Imperfect
FROM THE CREATOR OF DOWNTON ABBEY and THE GILDED AGE A SUNDAY TIMES BESTSELLER 'A gloriously funny ride through modern times' Evening Standard Damian Baxter is very, very rich. But he has but one concern, which is becoming more urgent at the weeks go by: who should inherit his fortune. A letter from an ex-girlfriend suggests that, as a young man, Damian may have fathered a child, but the letter is anonymous. Finding the truth will not be easy - and the only man who Damian can turn to for help also happens to be his sworn enemy... 'A must-read' Sunday Express 'An elegant satire, it offers an entertaining commentary on our times and a heartfelt lament for a kinder, more courteous Britain' Tatler 'A witty take on the world as it was and is now' Woman & Home
Past Imperfect
From the creator of the Emmy Award-winning Downton Abbey... "Damian Baxter was a friend of mine at Cambridge. We met around the time when I was doing the Season at the end of the Sixties. I introduced him to some of the girls. They took him up, and we ran about together in London for a while...." Nearly forty years later, the narrator hates Damian Baxter and would gladly forget their disastrous last encounter. But if it is pleasant to hear from an old friend, it is more interesting to hear from an old enemy, and so he accepts an invitation from the rich and dying Damian, who begs him to track down the past girlfriend whose anonymous letter claimed he had fathered a child during that ruinous debutante season. The search takes the narrator back to the extraordinary world of swinging London, where aristocratic parents schemed to find suitable matches for their daughters while someone was putting hash in the brownies at a ball at Madame Tussaud's. It was a time when everything seemed to be changing—and it was, but not always quite as expected. Past Imperfect is Julian Fellowes at his best--a novel of secrets, status, and a world in upheaval.
Past Imperfect
Recalling Hopkins or Dickinson in their urgency, these poems seduce the reader into experiencing life's darkest moments while revealing unexpected shafts of light. In a voice that is at once confident, elegant, and doubtful, the author scans the world as if through the wrong end of a telescope, employing recurrent images and exploring obsessions to produce a remarkably exact account of remote, intimate dealings. "I will have to explain myself to myself," she writes, but in doing so communicates a great deal about all of us.
Past Imperfect
The essays and talks gathered in Past Imperfect cover a broad range of topics of continuing relevance to the humanities and to scholarship in general. Part I collects Towner's historical essays on the indentured servants, apprentices, and slaves of colonial New England that are standards of the "new social history." The pieces in Part II express his vision of the library as an institution for research and education; here he discusses the rationale for the creation of research centers, the Newberry's pioneering policies for conservation and preservation, and the ways in which collections were built. In Part III Towner writes revealingly of his co-workers and mentors. Part IV assembles his statements as "spokesman for the humanities," addressing questions of national priorities in funding, and of so-called elitist scholarship versus public programs.
Past Imperfect
The uniquely prominent role of French intellectuals in European cultural and political life following World War II is the focus of Tony Judt's newest book. He analyzes this intellectual community's most divisive conflicts: how to respond to the promise and the betrayal of Communism and how to sustain a commitment to radical ideals when confronting the hypocrisy in Stalin's Soviet Union, in the new Eastern European Communist states, and in France itself. Judt shows why this was an all-consuming moral dilemma to a generation of French men and women, how their responses were conditioned by war and occupation, and how post-war political choices have come to sit uneasily on the conscience of late...
Past Imperfect
Swept up in the vortex of communism, French postwar intellectuals developed a blind spot to Stalinist tyranny. Albert Camus, who had been an authentic moral voice of the Resistance, pretended not to know about the crimes and terrors of the Soviet Union. Jean-Paul Sartre perverted logic to make an apologia for the Soviet invasion of Hungary. Simone de Beauvoir called for social change to be brought about in a single convulsion, or else not at all. Foolish French thinkers, suffering self-imposed moral anesthesia, defended the credibility of the show trials in Stalinized Eastern Europe. In a devastating study, Judt, a professor of European studies at New York University, argues that the belief system of postwar intellectuals, propped up by faith in communism, reflected fatal weaknesses in French culture such as the fragility of the liberal tradition and the penchant for grand theory. He also strips away the postwar myth that the small, fighting French Resistance was assisted by the mass of the nation.
Past Imperfect
The beautiful and talented actress recounts her professional and personal life, from her childhood in England, through her three broken marriages and love affairs, to her daughter's accident and recovery
Past Imperfect
Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal.
Past Imperfect
None
Past Imperfect
Woodrow Wilson, a practicing academic historian before he took to politics, defined the importance of history: "A nation which does not know what it was yesterday, does not know what it is today." He, like many men of his generation, wanted to impose a version of America's founding identity: it was a land of the free and a home of the brave. But not the braves. Or the slaves. Or the disenfranchised women. So the history of Wilson's generation omitted a significant proportion of the population in favor of a perspective that was predominantly white, male and Protestant. That flaw would become a fissure and eventually a schism. A new history arose which, written in part by radicals and liberals...
