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As a boy, James Rebanks's grandfather taught him to work the land the old way. Their family farm in the Lake District hills was part of an ancient landscape- a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, it was barely recognisable. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song. English Pastoral is the story of an inheritance- one that affects us all. It tells of how rural landscapes around the world were brought close to collapse, and the age-old rhythms of work, weather, community and wild things were lost. And yet this elegy from the Lake District fells is also a song of hope- how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future. This is a book about what it means to have love and pride in a place, and how, against all the odds, it may still be possible to build a new pastoral- not a utopia, but somewhere decent for us all.
This volume is an essential supplement to Pastoral poetry of the English Renaissance: An anthology (2016). The full-length Introduction examines English Renaissance pastoral against the history of the mode from antiquity to the present, with its multifarious themes and social affinities. The study covers many genres – eclogue, lyric, georgic, country-house poem, ballad, romantic epic, prose romance – and major practitioners – Theocritus, Virgil, Sidney, Spenser, Drayton and Milton. It also charts the circulation of pastoral texts, with implications for all early modern poetry. All poems in the Anthology were edited from the original texts; the Companion documents the sources and variant readings in unprecedented detail for a cross-section of early modern poetry. Includes notes on the poets and analytical indices. The Companion is indispensable not only to users of the Anthology but to all students and advanced scholars of Renaissance poetry.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.
Pastoral is a succinct and up-to-date introductory text to the history, major writers and critical issues of this genre. Terry Gifford clarifies the different uses of pastoral covering: the history of the genre from its classical origins to Elizabethan drama, through eighteenth-century pastoral poetry to contemporary American nature writing the pastoral impulse of retreat and return, beginning with constructions of Arcadia and using a combination of close reading of quoted texts, cultural studies and eco-criticism post-pastoral texts with a look at writers, who Gifford argues, have discovered ways of reconnecting us with our natural environment.
An examination of the nature and function of pastoral elegies in post-1960 British and Irish poetry.
In this journal of short, lyrical reflections, Andrew Rumsey takes the reader on an exploration of faith, place and identity. Focusing on the author’s home in Wiltshire, as he arrives to take up an ancient role in a testing time, English Grounds is both an affirmation and critique of this country’s Christian heritage. Together the essays challenge us to think more deeply about the place of the Church in the consciousness of the English, and the place of England in the consciousness of the Church.
THE SUNDAY TIMES NATURE BOOK OF THE YEAR The new bestseller from the author of The Shepherd's Life 'A beautifully written story of a family, a home and a changing landscape' Nigel Slater As a boy, James Rebanks's grandfather taught him to work the land the old way. Their family farm in the Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, it was barely recognisable. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song. English Pastoral is t...
Pastoral was one of the most popular literary forms of early modern England. Inspired by classical and Italian Renaissance antecedents, writers from Ben Jonson to John Beaumont and Abraham Cowley wrote in idealized terms about the English countryside. It is often argued that the Renaissance pastoral was a highly figurative mode of writing that had more to do with culture and politics than with the actual countryside of England. For decades now literary criticism has had it that in pastoral verse, hills and crags and moors were extolled for their metaphoric worth, rather than for their own qualities. In What Else Is Pastoral? Ken Hiltner takes a fresh look at pastoral, offering an environment...