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Excerpt from English Pastoral PoetryMany eople, without being communists, have irritated by the complacence in the massive calm of the poem, and this seems partly because they feel there is a cheat in the implied politics, the bourge01s themselves do not like literature to have too much bourgeois ideology' And yet what is said 1s one of the permanent truths; 1t is only 111 deg rce that any improvement of society could prevent wastage of human powers; the waste even in a fortunate life, the isolation even of a life rich in 1nt1macy, cannot but be felt deeply, and IS the central feeling of tragedy. And anything of value must accept this because it must not prostitute itself; its strength is to...
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.
Dubbed 'the English Virgil' in his own lifetime, Spenser has been compared to the Augustan laureate ever since. He invited the comparison, expecting a readership intimately familiar with Virgil's works to notice and interpret his rich web of allusion and imitation, but also his significant departures and transformations.This volume considers Spenser's pastoral poetry, the genre which announces the inception of a Virgilian career in The Shepheardes Calender, and to which he returns in Colin Clouts Come Home Againe, throwing the 'Virgilian career' into reverse. His sustained dialogue with Virgil's Eclogues bewrays at once a profound debt to Virgil and a deep-seated unease with his values and priorities, not least his subordination of pastoral to epic.Drawing on the commentary tradition and engaging with current critical debates, this study of Spenser's interpretation, imitation and revision of Virgil casts new light on both poets-and on the genre of pastoral itself.
Excerpt from The Feeling for Nature in English Pastoral Poetry If the word pastoral be a generic term denoting a literary mode and not a special literary form, its comprehensive possibilities for an appreciation of nature are at once evident, and to inquire how far the poets have succeeded in using their opportunity, is our present task. It is upon the results of this inquiry that our definition of the pastoral must be based, rather than upon any preconceived theory as to what they ought to have done. Among the Greeks where the star of pastoral song first arose, the term idyl which was the earliest literary form to exhibit the pastoral motive, sufficiently explains what they conceived to be ...
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This fascinating study treats the pastoral theme in visual arts as a subject of distinct character, epitomized in the poetic shepherd living in intimate contact with ideal nature. Following the Vergilian tradition of the pastoral, the author guides the reader through complex imagery. The discussion includes Arcadia both as a region and as an idea, Pan as pastoral deity, and the image of the pastoral shepherd from Antiquity through the Age of Rococo. Masterpieces of classical art and European painting are considered and interpreted anew.
Pastoral is a succinct and up-to-date introductory text to the history, major writers and critical issues of this genre. Terry Gifford clarifies the different uses of pastoral covering: * the history of the genre from its classical origins to Elizabethan drama, through eighteenth-century pastoral poetry to contemporary American nature writing * the pastoral impulse of retreat and return, beginning with constructions of Arcadia and using a combination of close reading of quoted texts, cultural studies and eco-criticism * post-pastoral texts with a look at writers, who Giffo.