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What happens when a parish community chooses the Catechesis of the Good Shepherd for its youngest members? What questions should be asked before that decision is made, and after? What does an atrium look like? What do you need? How do you start? And how did this type of Catechesis ever get started in the first place? This newly revised edition of Tina Lillig’s practical and enduring resource offers step-by-step information to address the questions of pastors, directors of religious education, parish staff members, parents, catechists, and anyone else interested in the great blessing that young children are to the parish community.
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During times of suffering, loss, and grief, each of us needs companions who console and strengthen us. As Christians, we also need to understand our experience in light of our faith. At such times, Sofia Cavalletti offered her friend Patricia Coulter such guidance and encouragement. We will all benefit from reading the excerpts from her letters to Coulter, as well as meditating on the questions and carefully selected texts from Scripture and liturgy that Coulter provides. Many people are familiar with Sofia Cavelletti's writings on the Catechesis of the Good Shepherd. These books help to train catechists and give the theological and pedagogical principles for that approach to the spiritual formation of children. In this book we have a rare glimpse into her personal life and her deep care for her friends, in this case, her student and friend Patricia Coulter.
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Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.
In v.1-8 the final number consists of the Commencement annual.
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The Bennetts: An Acting Family is a chronicle of one of the royal families of stage and screen. The saga begins with Richard Bennett, a small-town Indiana roughneck who grew up to be one of the bright lights of the New York stage during the early twentieth century. In time, however, Richard's fame was eclipsed by that of his daughters, Constance and Joan, who went to Hollywood in the 1920s and found major success there. Constance became the highest-paid actress of the early 1930s, earning as much as $30,000 a week in melodramas. Later she reinvented herself as a comedienne in the classic comedy Topper, with Cary Grant.. After a slow start as a blonde ingenue, Joan dyed her hair black and bec...