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IIn premodern Europe, the gender identity of those waiting for Doomsday in their tombs could be reaffirmed, readjusted, or even neutralized. Testimonies of this renegotiation of gender at the encounter with death is detectable in wills, letters envisioning oneself as dead, literary narratives, provisions for burial and memorialization, the laws for the disposal of those executed for heinous crimes and the treatment of human remains as relics.
This book draws attention to the pervasive artistic rivalry between Elizabethan poetry and gardens in order to illustrate the benefits of a trans-media approach to the literary culture of the period. In its blending of textual studies with discussions of specific historical patches of earth, The Poem and the Garden demonstrates how the fashions that drove poetic invention were as likely to be influenced by a popular print convention or a particular garden experience as they were by the formal genres of the classical poets. By moving beyond a strictly verbal approach in its analysis of creative imitation, this volume offers new ways of appreciating the kinds of comparative and competitive methods that shaped early modern poetics. Noting shared patterns—both conceptual and material—in these two areas not only helps explain the persistence of botanical metaphors in sixteenth-century books of poetry but also offers a new perspective on the types of contrastive illusions that distinguish the Elizabethan aesthetic. With its interdisciplinary approach, The Poem and the Garden is of interest to all students and scholars who study early modern poetics, book history, and garden studies.
The Byrne family has ruled the North Side of Chicago for three generations. They have the crime game down to a science. But when the ailing mob boss?s youngest son James is brutally attacked in distant San Diego, it catches everyone off guard. Eldest son Tommy, now head of the family and fixated on turning their interests into legitimate businesses, sends envoys to investigate, as well as middle son Enzo, to seek retribution. His mother and father?s consigliore, however, in wanting to return to the old ways, use the attack to trigger a power struggle that consumes the family and leaves its legacy up for grabs. Meanwhile, a nosy reporter and persistent detective also look for answers and find themselves caught up in a deadly family squabble. Filled with intrigue, suspense, and betrayal, The Name of the Game is a compelling thriller that will grab you by the shirt collar and won?t let go until the last page. The tension builds along with the body count as the mobsters turn their attention away from business and toward each other. Family, it turns out, isn?t as important as it seems.
Taking a secret to the grave doesn't mean what it used to. When a resurrection goes awry in a cold Seattle cemetery, mother-of-three Patricia Ramos-Waites finds herself possessed by the ghost of her sister’s dead lover. God forbid her only problem be sharing her body with Dead Marco. Yesterday Patricia was worried about her teenage son’s new deadbeat friends and putting her kids through college; today she’s become the target of a Central American drug-smuggling gang who desperately want to get their hands on the ghost she’s hosting. On top of all this, Patricia is beginning to suspect that either Marco is an exceptionally powerful spirit, or she has ghost-handling abilities that haven’t been seen in centuries. Will Patricia be able to stay out of the crosshairs long enough to fix this botched resurrection?
This Handbook triangulates the disciplines of history, legal history, and literature to produce a new, interdisciplinary framework for the study of early modern England. For historians of early modern England, turning to legal archives and learning more about legal procedure has seemed increasingly relevant to the project of understanding familial and social relations as well as political institutions, state formation, and economic change. Literary scholars and intellectual historians have also shown how classical forensic rhetoric formed the basis both of the humanist teaching of literary composition (poetry and drama) and of new legal epistemologies of fact-finding and evidence evaluation....
Nothing prepared the young, attractive but nave Isabella, for the glamorous but treacherous world of a beauty pageant in her new life at the higher institution, and the whole sequence of twists and turns that will spiral her life out of control when she fell in love with the right man but in a wrong way, setting her up to becoming her own worst enemy. She would discover that the greatest demon a man face is themselves as she would be trapped in the prison of her own untamed sexual passion, caught in the ugly web of lustful pursuits of wealth and chained in the dark hole of deceit with men of the underworld and would grow through life's greatest ordeals realizing a singular truth that would change her life forever...true love can rescue any soul from total destruction..... Isabella ...another chance at life.
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One of the Best Books of the Year: Janet Maslin, The New York Times Vulture NPR "Social Creature is a wicked original with echoes of the greats (Patricia Highsmith, Gillian Flynn)." —Janet Maslin, The New York Times For readers of Gillian Flynn and Donna Tartt, a dark, propulsive and addictive debut thriller, splashed with all the glitz and glitter of New York City. They go through both bottles of champagne right there on the High Line, with nothing but the stars over them... They drink and Lavinia tells Louise about all the places they will go together, when they finish their stories, when they are both great writers-to Paris and to Rome and to Trieste... Lavinia will never go. She is going to die soon. Louise has nothing. Lavinia has everything. After a chance encounter, the two spiral into an intimate, intense, and possibly toxic friendship. A Talented Mr. Ripley for the digital age, this seductive story takes a classic tale of obsession and makes it irresistibly new.
The first study to analyze print vernacular folio herbals from the standpoint of gender and to present original findings to do with early modern women's ownership of these herbals, Medical Authority and Englishwomen's Herbal Texts also looks at reasons and contexts behind early modern female writers claiming herbal practice. Author Rebecca Laroche first establishes cultural backdrops in the gendering of medical authority that takes place in the herbals and the regular ownership of these herbals by women. She then examines women's engagements with herbal texts in life writings and poetry and asks how these moments represent and engage medical authority. In ultimately demonstrating how female writers variously take on women's herbal medical practices, Laroche reveals the broad range of literary potentials within the historical category of women's medicine.
An important contribution to growing scholarship on women's participation in literary cultures, this essay collection concentrates on cross-national communities of letters to offer a comparative and international approach to early modern women's writing. The essays gathered here focus on multiple literatures from several countries, ranging from Italy and France to the Low Countries and England. Individual essays investigate women in diverse social classes and life stages, ranging from siblings and mothers to nuns to celebrated writers; the collection overall is invested in crossing geographic, linguistic, political, and religious borders and exploring familial, political, and religious communities. Taken together, these essays offer fresh ways of reading early modern women's writing that consider such issues as the changing cultural geographies of the early modern world, women's bilingualism and multilingualism, and women's sense of identity mediated by local, regional, national, and transnational affiliations and conflicts.