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Her Majesty the King
Hatshepsut, the gifted and beautiful daughter of the Pharaoh, vows to accept whatever destiny the gods have decreed for her. When just fourteen, she kills a marauder, is betrothed to her loathsome brother and becomes the most powerful priestess in Egypt. She falls in love with Senenmut, the brilliant commoner who is torn between his yearning for Hatshepsut and his duty to protect her. When her father dies, Hatshepsut must make the ultimate sacrifice for the sake of Egypt. Her Majesty the King is the story of Hatshepsut's turbulent path to the throne. She battles bigotry, heartbreak and betrayal in the glittering but treacherous world of New Kingdom Egypt. Hatshepsut and Senenmut's forbidden passion is one of history's greatest untold love stories.
The Eye of Re
The Eye of Re is the gripping conclusion to The Hatshepsut Trilogy: Her Majesty the King, The Horus Throne and The Eye of Re. Based on the true story of ancient Egypts female Pharaoh Hatshepsut, The Eye of Re recreates the passionate saga of historys first female ruler. Award-winning author Patricia L. O'Neill's ground-breaking research and vivid prose bring to life the unjustly maligned woman behind the legends. Egypt in 1476 BCE is on the brink of disaster. The female Pharaoh Hatshepsut has crushed a bloody rebellion, but she invoked the treacherous god Seth to annihilate her enemies. Now he is devouring her soul. But she needs Seth's power even more to defeat the warlords of Canaan and Sy...
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The Horus Throne
A story of fatal ambition and heartbreaking betrayal, epic battles and hidden treasure.
Self and Space in the Theater of Susan Glaspell
Founding member of the Provincetown Players, Pulitzer Prize-winning playwright, best-selling novelist and short story writer Susan Glaspell (1876-1948) was a great contributor to American literature. An exploration of eleven plays written between the years 1915 and 1943, this critical study focuses on one of Glaspell's central themes, the interplay between place and identity. This study examines the means Glaspell employs to engage her characters in proxemical and verbal dialectics with the forces of place that turn them into victims of location. Of particular interest are her characters' attempts to escape the influence of territoriality and shape identities of their own.
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Covers receipts and expenditures of appropriations and other funds.
