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Elie Wiesel called the genocide of the Armenians during the First World War ‘the Holocaust before the Holocaust’. Around one and a half million Armenians - men, women and children – were slaughtered at the time of the First World War. This book outlines some of the historical facts and consequences of the massacres but sees it as its main objective to present the Armenians to the foreign reader, their history but also their lives and achievements in the present that finds most Armenians dispersed throughout the world. 3000 years after their appearance in history, 1700 years after adopting Christianity and almost 90 years after the greatest catastrophe in their history, these 50 ‘biographical sketches of intellectuals, artists, journalists, and others...produce a complicated kaleidoscope of a divided but lively people that is trying once again, to rediscover its ethnic coherence. Armenian civilization does not consist solely of stories about a far-off past, but also of traditions and a national conscience suggestive of a future that will transcend the present.’ [from the Preface]
New view of the crucial role of fashion discourse and practice in Weimar Germany and its significance for women.
Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-si?e culture in the Austro-Hungarian Monarchy by looking at the unusual and widespread preoccupation with embroidery, fabrics, clothing, and fashion - both literally and metaphorically. The author resurrects lesser known critics, practitioners, and curators from obscurity, while also discussing the textile interests of better known figures, notably Gottfried Semper and Alois Riegl. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in the history of art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Euro...
How Richard Riemerschmid’s designs of everyday—but “extraordinary”—objects recalibrate our understanding of modernism. At the beginning of the twentieth century, German artist Richard Riemerschmid (1868–1957) was known as a symbolist painter and, by the advent of World War I, had become an important modern architect. This, however, the first English-language book on Riemerschmid, celebrates his understudied legacy as a designer of everyday objects—furniture, tableware, clothing—that were imbued with an extraordinary sense of vitality and even personality. Freyja Hartzell makes a case for the importance of Riemerschmid's designed objects in the development of modern design—a...
Inhalt: Christliche und islamische Ausbreitung vom fruehen 18. Jahrhundert bis 1918/19: Mit Beitr�gen von Andreas Feldtkeller, Alex Carmel, Ejal Jakob Eisler, Frank Foerster, Klaus Hock, Viera Pawlikov�-Vilhanov�, Michael Pesek, Sigvard von Sicard, Werner Ustorf, Henry C. Jatti Bredekamp, Ernst Dammann, Hans Heese, Irving Hexham, Ulrich van der Heyden, Elfriede H�ckner, Gunther Pakendorf, Christoff Martin Pauw, Karla Poewe, Johannes W. Raum, Kathrin Roller, Andrea Schultze, Harri Siiskonen, Ursula Trueper. Mission und Gewalt in Asien: Mit Beitr�gen von Michael Bergunder, Albrecht Frenz, Vera Mielke, C. S. Mohanavelu, Andreas Nehring. Christliche Mission und deutsche Kolonialherrschaft in Afrika: Mit Beitr�gen von Cuthbert K. Omari, Ingrid Grienig, Kari Miettinen, Paul Nzacahayo, Gabriel K. Nzalayaimisi, Adja� Paulin Oloukpona-Yinnon, Joseph W. Parsalaw, Sara Pugach, Harald Sippel, Holger Weiss.
During the era of the French revolution, patriots across Europe tried to introduce a national uniform. This book, the first comparative study of national uniform schemes, discusses case studies from Austria, Bulgaria, England, France, Germany, Hungary, Italy, the Netherlands, Spain, Sweden, Turkey the United States, and Wales.
Cynical news hounds, grumbling editors, snooping television newscasters, inquisitive foreign correspondents, probing newsreel cameramen, and a host of others--all can be found in this reference work to Hollywood's version of journalism: from the early one-reelers to modern fare, over a thousand silent and sound films can be found. Each entry includes title, date of release, distributor, director, screenwriter, and major cast members. These credits are followed by a brief plot summary and analysis, cross-references and other information. The book is arranged alphabetically, and includes a preface, introduction, bibliography, a list of abbreviations, appendices, and an index of names. The detailed introduction covers an historical survey of the topic, with numerous film examples. The work also includes a selection of stills from various films.