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"Brilliantly tracing influences from culture to culture, this tour-de-force journey across the globe includes descriptions of each region's population, geography and climate, allowing the reader to understand the development of an area's clothing customs. Complete with an extensive reference section, this treasure trove of information is a glorious celebration of ethnographic clothing and is destined to be the standard reference work on the subject." --BOOK JACKET.
"Brilliantly tracing influences from culture to culture, this tour-de-force journey across the globe includes descriptions of each region's population, geography and climate, allowing the reader to understand the development of an area's clothing customs. Complete with an extensive reference section, this treasure trove of information is a glorious celebration of ethnographic clothing and is destined to be the standard reference work on the subject." --BOOK JACKET.
An astonishing window into Shamanism and the worldviews of our distant ancestors in the Ice Age
In her book, Patricia Anawalt describes through text and more than 350 illustrations and charts what the Indians of Middle America were wearing when Corts and his conquistadors arrived in the New World in 1519. The costumes reveal a great deal about those who wore them. To the peoples of Middle America, dress was identity; even a god had to don his proper attire. To the Aztecs and their neighbors, for example, the wearing of appropriate clothing was strictly controlled by both custom and law. An individuals attire immediately identified not only culture affiliation but rank and status as well. Since each group dressed in a distinctive and characteristic manner, a great deal of ethnographic and historical information can be gleaned from a study of what those groups wore.
Consists of v. 2 and 4 of Berdan and Anawalt's The Codex Mendoza (4 v. -- Berkeley : University of California Press, c1992).
Documents more than 220 examples of ancient West Mexican sculpture
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only...
Ethnic minorities historically comprised a solid majority of Bangkok's population. They played a dominant role in the city's exuberant economic and social development. In the shadow of Siam's prideful, flamboyant Thai ruling class, the city's diverse minorities flourished quietly. The Thai-Portuguese; the Mon; the Lao; the Cham, Persian, Indian, Malay, and Indonesian Muslims; and the Taechiu, Hokkien, Hakka, Hainanese, and Cantonese Chinese speech groups were particularly important. Others, such as the Khmer, Vietnamese, Thai Yuan, Sikhs, and Westerners, were smaller in numbers but no less significant in their influence on the city's growth and prosperity. In tracing the social, political, a...
This is the first book of its kind to bring forward the rich tradition of wild rice in Michigan and its importance to the Anishinaabek people who live there. Manoomin: The Story of Wild Rice in Michigan focuses on the history, culture, biology, economics, and spirituality surrounding this sacred plant. The story travels through time from the days before European colonization and winds its way forward in and out of the logging and industrialization eras. It weaves between the worlds of the Anishinaabek and the colonizers, contrasting their different perspectives and divergent relationships with Manoomin. Barton discusses historic wild rice beds that once existed in Michigan, why many disappeared, and the efforts of tribal and nontribal people with a common goal of restoring and protecting Manoomin across the landscape.
Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.