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School of Music, Theatre & Dance (University of Michigan) Publications
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
Michiganensian
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Elisabetta Sirani
Elisabetta Sirani (1638–1665)—painter, printmaker, and teacher—was one of the most innovative and prolific artists of the Bolognese school. The daughter of a painter, she hailed from a city whose university was believed to have educated women since the Middle Ages and that celebrated the cult of Saint Catherine of Bologna, who was known for her skill as a painter and illuminator—ideal conditions to encourage the training and patronage of skilled women artists. Drawing on extensive archival documentation and primary sources, including inventories, sale catalogues, and Sirani’s work diary, this book provides an overview of the brief life, fascinating oeuvre, critical fortune, and cul...
MEDINFO 2021: One World, One Health — Global Partnership for Digital Innovation
The World Health Organization defines health as “a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity”, and its constitution also asserts that health for all people is “dependent on the fullest co-operation of individuals and States”. The ongoing pandemic has highlighted the power of both healthy and unhealthy information, so while healthcare and public health services have depended upon timely and accurate data and continually updated knowledge, social media has shown how unhealthy misinformation can be spread and amplified, reinforcing existing prejudices, conspiracy theories and political biases. This book presents the proce...
The Devout Hand
After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded over twenty-eight women artists working in the city, although many of these, until recently, were ignored by modern art criticism, despite the fame they attained during their lifetimes. What were the factors that contributed to Bologna’s unique confluence of women with art, science, and religion? The Devout Hand explores the work of two generations of Italian women artists in Bologna, from Lavinia Fontana (1552–1614), whose career emerged during the aftermath of the Counter Reformation, to her brilliant successor, El...
Playthings in Early Modernity
An innovative volume of fifteen interdisciplinary essays at the nexus of material culture, performance studies, and game theory, Playthings in Early Modernity emphasizes the rules of the game(s) as well as the breaking of those rules. Thus, the titular "plaything" is understood as both an object and a person, and play, in the early modern world, is treated not merely as a pastime, a leisurely pursuit, but as a pivotal part of daily life, a strategic psychosocial endeavor.
Family
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