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The Darby School of Art
This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation and demonstrates that Philadelphia was a hub of avant-garde painting in the early twentieth century. This first full-length account of the Darby School of Art overturns Philadelphia’s long-held unwarranted reputation as artistically stodgy—unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art—and demonstrates that Philadelphia was more avant-garde in the early twentieth century than previously thought. This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, b...
American Women Modernists
The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.
A New Deal for Navajo Weaving
A New Deal for Navajo Weaving provides a detailed history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Navajo weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women. By the 1920s the durability and market value of Diné weavings had declined dramatically. Indian welfare advocates established projects aimed at improving the materials and techniques. Private efforts served as models for federal programs instituted by New Deal administrators. Historian Jennifer McLerran details how federal officials developed programs such as the Southwest Range a...
The Genius Belt
Bucks County, Pennsylvania--the name conjures up images of colonial villages, pastoral vistas, and famous artists. Walking down the streets of Doylestown or New Hope in the 1930s or 40s, you might have glimpsed humorist Dorothy Parker at a lunch counter or satirist S. J. Perelman at the hardware store, not to mention Pulitzer-Prize-winning writers like Oscar Hammerstein, James A. Michener, George S. Kaufman, Moss Hart, or Pearl S. Buck. Thanks to cheap real estate, proximity to New York City, and the lure of country living, Bucks County became such a well-known haven for creativity that the New York media began to call it "the genius belt." This book tells the story of Bucks County's rich artistic tradition: from the nineteenth-century's best-known primitive painter, Edward Hicks, to the turn-of-the-century birth of a major art colony along the Delaware River, to the influx of literary and theatrical figures during the Depression. A colorful introduction by James Michener begins with the renowned author's boyhood in Doylestown and recalls his delightful memories of the county's "golden years."
The Philadelphia Ten
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A Studio of Her Own
By Erica E. Hirshler.
Patricia Roc
Destined to become a star ‘Once a star, always a star – and always remembered with love’ Anna Neagle ‘A phenomenon, an unspoilt movie star who can act’ Noel Coward The archetypal British beauty, the Goddess of the Odeons’ J. Arthur Rank
Pennsylvania Impressionism
"This magnificent new book . . . has assembled a definitive collection of impressionistic works from the Bucks Country region of eastern Pennsylvania. . . . Excellent!"—Bloomsbury Review
Fern I. Coppedge
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Painting Professionals
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
