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"The story of the passionate, adulterous, tragic love of Lancelot and Guenevere is at once the perfect expression of "courtly love" and its inversion. Lancelot, the superhuman stranger in King Arthur's court, sacrifices everything in service of his king, and yet also falls secretly in love with Arthur's queen, the most beautiful woman in all of Britain. That this spotless knight, who repeatedly saves Arthur and his world from destruction, should also be the fateful underminer of the king's self-confidence and, ultimately, a terrible weapon in the hands of Arthur's great adversary Galehaut, is a contradiction that has fascinated the Western mind for hundreds of years." "The Arthurian legend t...
The great poetic tradition of pre-Christian Scandinavia is known to us almost exclusively though the Poetic Edda. The poems originated in Iceland, Norway, and Greenland between the ninth and thirteenth centuries, when they were compiled in a unique manuscript known as the Codex Regius. The poems are primarily lyrical rather than narrative. Terry's readable translation includes the magnificent cosmological poem Völuspá ("The Sibyl's Prophecy"), didactic poems concerned with mythology and the everyday conduct of life, and heroic poems, of which an important group is concerned with the story of Sigurd and Brynhild. Poems of the Elder Edda will appeal to students of Old Norse, Icelandic, and Medieval literature, as well as to general readers of poetry.
The essential work of Mallarmé, collected in a bilingual French and English edition.
An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press.
Dear Sister: Medieval Women and the Epistolary Genre explores women's contributions to letter writing in Western Europe from the sixth to the sixteenth centuries. The essays represent the first attempt to chart medieval women's achievements in epistolarity, and the contributors to this volume situate the women writers in a solidly historical context and employ a variety of feminist approaches. Both religious and secular writers are discussed, including Radegund, Hildegard of Bingen, Heloise, Catherine of Siena, the women of the Paston family, Christine de Pizan, and Maria de Hout.
Known for her fine translations of octosyllabic narrative verse, Patricia Terry presents translations of four major practitioners of this dominant literary form of twelfth- and thirteenth-century France. Her introduction discusses the varying views of women and love in the texts and their place in the courtly tradition. From Chrétien de Troyes Terry includes an early work, Philomena, here translated into verse for the first time. The other great writer of this period was Marie de France, the first woman in the European narrative tradition. Lanval is newly translated for this edition, which also features four of Marie's other poems. The collection further includes The Reflection by Jean Renart, known for his realistic settings; and the anonymous Chatelaine of Vergi, a fatalistic and perhaps more modern depiction of love.
A new look at the way in which medieval European literature depicts torture and brutality.
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
"Global anthology of twentieth-century poetry"--Back cover.
Offers a critical reassessment of the Reconquest of Castile from the Moors in the fifteenth century. Explores the land and climate of northern Castile, the urban and rural society, and the demography and fiscal oppression of the Reconquest.