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The Women's Bureau
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The Third Branch
A bulletin of the federal courts.
"Stand Back," Said the Elephant, "I'm Going to Sneeze!"
All the animals are in a panic. The elephant's sneeze would blow the monkeys out of the trees, the feathers off the birds, the stripes off the zebra. Even the fish and the fly, the crocodile and the kangaroo, know what a catastrophe that sneeze would be. "Please don't sneeze!" they beg. . . . The classic story of an enormous sneeze in the marking, told in sprightly nonsense verse, has been newly illustrated in full color to delight a new generation of fans.
The New Mind of the South
Thompson, a Georgia native, asserts that the South has drawn on its oldest tradition: an ability to adapt and transform itself. She spent years traveling through the region and discovered a South both amazingly similar and radically different from the land she knew as a child. The new South is ahead of others in absorbing waves of Latino immigrants, in rediscovering its agrarian traditions, in seeking racial reconciliation, and in reinventing what it means to have roots in an increasingly rootless global culture.
The Return of the Native
The Return of the Native was a radical departure for Thomas Hardy, ushering in his tragic literary vision of the world. Though set in a small space (Egdon Heath in the fictional county of Wessex) and short time (the main action spans a year and a day), the novel addresses the broad social and intellectual upheavals of the Victorian age. Much of this turmoil is embodied in the character of Eustacia Vye, the novel’s wilful female protagonist. A complex, independent young woman, Eustacia is a sympathetic but ultimately tragic figure, the epitome of what the narrator calls the “irrepressible New.” The appendices to this Broadview edition place the novel in the context of Hardy’s career and the scientific and social ideas of the time. Documents include contemporary reviews, related writings by Hardy, and materials on biology, geology, and the “Woman Question.” Illustrations from the original serialization in Belgravia magazine and Hardy’s performance text of the mummers’ play are also included.
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