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On a February night in 1897, the general store in Walford, Iowa, burned down. The next morning, townspeople discovered a charred corpse in the ashes. Everyone knew that the store’s owner, Frank Novak, had been sleeping in the store as a safeguard against burglars. Now all that remained were a few of his personal items scattered under the body. At first, it seemed to be a tragic accident mitigated just a bit by Novak’s foresight in buying generous life insurance policies to provide for his family. But soon an investigation by the ambitious new county attorney, M. J. Tobin, turned up evidence suggesting that the dead man might actually be Edward Murray, a hard-drinking local laborer. Relyi...
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"The sexual revolution and its unsettling redefinitions have led to a new sensitivity to the impact of gender on the artistic imagination. In particular, women writers have entered an exciting new era in which their gender-related fictional strategies are being uncovered and understood. Dance of the Sexes investigates the ways in which the fiction of Canadian author Alice Munro is shaped by her sex."--Page 4 of cover.
The Fault at the Center is a candid, lyrical coming-of-age novel that tells the story of Sandy Fischer, an American girl growing up in the beautiful yet violence-ridden Guatemala of the 1960s and ‘70s. Sandy, a resilient and very observant girl, must face the many dilemmas emerging from the disintegration of her Jewish-Catholic home. Suddenly abandoned by their father and left to fend for themselves, the four Fischer girls and their mother no longer have a safe and clear place in their adopted homeland. While still perceived as expatriates, as gringas, the Fischers must do their best to find their way in local society. Little by little, Sandy finds herself adapting to the prim, Catholic, seemingly safe world of señoritas. But what is the price, particularly for a girl growing into womanhood, of belonging in such a rigid and fearful world--of forcing oneself not to fully register the violence that is steadily intensifying in the country? And given a choice, will Sandy leave her adopted homeland or stay? The Fault at the Center is, at the same time, an invention and a memoir, a reflection upon the narrator’s own distant/near relationship with her Guatemalan past.
From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic realist fiction can be produced also at what is usually considered to be the cultural centre without forfeiting the mode’s postcolonial attitude and aims. A close analysis of works by Angela Carter, Salman Rushdie, Jeanette Winterson, Robert Nye and others reveals how the techniques of magic realism generate a complex critique of the West’s rational-empirical worldview from within a Western context itself. Understanding magic realism as a fictional analogue of anthropology and sociology, Lies that Tell the Truth reads the mode as a frequently humorous but at the same time critical investigation into people’s attempts to make sense of their world. By laying bare the manifold strategies employed to make meaning, magic realist fiction indicates that knowledge and reality cannot be reduced to hard facts, but that people’s dreams and fears, ideas, stories and beliefs must equally be taken into account.
The Sleeping Beauty in Roberta Seelinger Trites' intriguing text is no silent snoozer passively waiting for Prince Charming to energize her life. Instead she wakes up all by herself and sets out to redefine the meaning of “happily ever after.” Trites investigates the many ways that Sleeping Beauty's newfound voice has joined other strong female voices in feminist children's novels to generate equal potentials for all children. Waking Sleeping Beauty explores issues of voice in a wide range of children's novels, including books by Virginia Hamilton, Patricia MacLachlan, and Cynthia Voight as well as many multicultural and international books. Far from being a limiting genre that praises f...