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On a February night in 1897, the general store in Walford, Iowa, burned down. The next morning, townspeople discovered a charred corpse in the ashes. Everyone knew that the store’s owner, Frank Novak, had been sleeping in the store as a safeguard against burglars. Now all that remained were a few of his personal items scattered under the body. At first, it seemed to be a tragic accident mitigated just a bit by Novak’s foresight in buying generous life insurance policies to provide for his family. But soon an investigation by the ambitious new county attorney, M. J. Tobin, turned up evidence suggesting that the dead man might actually be Edward Murray, a hard-drinking local laborer. Relyi...
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"The sexual revolution and its unsettling redefinitions have led to a new sensitivity to the impact of gender on the artistic imagination. In particular, women writers have entered an exciting new era in which their gender-related fictional strategies are being uncovered and understood. Dance of the Sexes investigates the ways in which the fiction of Canadian author Alice Munro is shaped by her sex."--Page 4 of cover.
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Foucault and Latin America is the first volume to trace the influence of Foucault's theories on power, discourse, government, subjectivity and sexuality in Latin American thought.
The Fault at the Center is a candid, lyrical coming-of-age novel that tells the story of Sandy Fischer, an American girl growing up in the beautiful yet violence-ridden Guatemala of the 1960s and ‘70s. Sandy, a resilient and very observant girl, must face the many dilemmas emerging from the disintegration of her Jewish-Catholic home. Suddenly abandoned by their father and left to fend for themselves, the four Fischer girls and their mother no longer have a safe and clear place in their adopted homeland. While still perceived as expatriates, as gringas, the Fischers must do their best to find their way in local society. Little by little, Sandy finds herself adapting to the prim, Catholic, seemingly safe world of señoritas. But what is the price, particularly for a girl growing into womanhood, of belonging in such a rigid and fearful world--of forcing oneself not to fully register the violence that is steadily intensifying in the country? And given a choice, will Sandy leave her adopted homeland or stay? The Fault at the Center is, at the same time, an invention and a memoir, a reflection upon the narrator’s own distant/near relationship with her Guatemalan past.
From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies