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Essays on the History and Politics of the Internet
This is a book about the politics and history of the Internet. The Internet has been in existence for over fifty years. The way we live our lives has changed considerably because of this new medium. As the Internet has become increasingly popular, it has been drawn into age-old struggles over censorship and freedom of expression. It has played an increasing role in commerce, and controversies have erupted over privacy, security, consumer rights, intellectual property rights, taxation, and other matters. With the rise of Internet-connected smartphones, the Internet has become part of daily life for billions of people. One major theme explored in this book is the contrast between the dream and the reality of the Internet. Many of the creators of the Internet shared a vision of building a system that would empower individuals anywhere in the world to share their knowledge and creativity. This profoundly democratic dream came out of an age in which many pre-existing power structures were being questioned. This book argues that the Internet has actually resulted in the creation of new centers of power and influence, many of which are anti-democratic.
The Piracy Years
The Piracy Years: Internet File Sharing in a Global Context is the first collection to provide an overview of digital piracy’s recent past and its potential futures. Combining research essays, interviews, and overviews, the volume brings together leading scholars and infamous digital pirates from China, Germany, the Netherlands, Nigeria, Russia, the United Kingdom, and the United States. In June 1999, the peer-to-peer (P2P) file sharing website Napster transformed the availability of online content, but the site was quickly sued into oblivion. Despite the highly publicised shutdowns of a number of P2P websites, many continue to thrive, and digital piracy has become a global phenomenon. Thi...
The Quieted Voice
Blames the government's deregulation of radio and the corporate obsession with the bottom line in the wake of the controversial Telecommunications Act of 1996. Fighting for greater democratization of the airwaves, the authors call for a return to localism to save Americans from corporate and government control of public information.
Music and Cyberliberties
An activist’s guide for musicians and fans opposed to the major label lockdown of online music
Technomobility in China
Winner of the 2014 Bonnie Ritter Book Award Winner of the 2013 James W. Carey Media Research Award As unprecedented waves of young, rural women journey to cities in China, not only to work, but also to “see the world” and gain some autonomy, they regularly face significant institutional obstacles as well as deep-seated anti-rural prejudices. Based on immersive fieldwork, Cara Wallis provides an intimate portrait of the social, cultural, and economic implications of mobile communication for a group of young women engaged in unskilled service work in Beijing, where they live and work for indefinite periods of time. While simultaneously situating her work within the fields of feminist studi...
Authors, Users, and Pirates
An examination of subjectivity in copyright law, analyzing authors, users, and pirates through a relational framework. In current debates over copyright law, the author, the user, and the pirate are almost always invoked. Some in the creative industries call for more legal protection for authors; activists and academics promote user rights and user-generated content; and online pirates openly challenge the strict enforcement of copyright law. In this book, James Meese offers a new way to think about these three central subjects of copyright law, proposing a relational framework that encompasses all three. Meese views authors, users, and pirates as interconnected subjects, analyzing them as a...
Corporations and Cultural Industries
Corporations and Cultural Industries: Time Warner, Bertelsmann, and News Corporation, by Scott Warren Fitzgerald, provides an introduction to the political economy of international media corporations. This text fills a fundamental gap in the critical media studies field, expanding on the relative paucity of academic studies. To ground the discussion, Fitzgerald focuses on the growth of three specific media conglomerates: Time Warner, Bertelsmann and News Corporation. Adopting an approach rooted in critical political economy, the book explains the corporations' growth through an engagement with broader social theories: the wider conditions of capital accumulation (especially theories of corpo...
Downloading Music
This essential volume takes a critical look at downloading music, who it impacts, and how. In addition, this book contains several appendixes to help your reader understand and explore the topic. Stellar essay sources, which are perfect for report-writing, include The Canadian Recording Industry Association, Musicunited.org, and the International Federation of the Phonographic Industry.
Technology of the Oppressed
How Brazilian favela residents engage with and appropriate technologies, both to fight the oppression in their lives and to represent themselves in the world. Brazilian favelas are impoverished settlements usually located on hillsides or the outskirts of a city. In Technology of the Oppressed, David Nemer draws on extensive ethnographic fieldwork to provide a rich account of how favela residents engage with technology in community technology centers and in their everyday lives. Their stories reveal the structural violence of the information age. But they also show how those oppressed by technology don’t just reject it, but consciously resist and appropriate it, and how their experiences wi...
The Oxford Handbook of Mobile Music Studies, Volume 1
This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance.
