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Helen Moran is thirty-two years old, single, childless, college-educated, and partially employed as a guardian of troubled young people in New York. She’s accepting a delivery from IKEA in her shared studio apartment when her uncle calls to break the news: Helen’s adoptive brother is dead. According to the internet, there are six possible reasons why her brother might have killed himself. But Helen knows better: she knows that six reasons is only shorthand for the abyss. Helen also knows that she alone is qualified to launch a serious investigation into his death, so she purchases a one-way ticket to Milwaukee. There, as she searches her childhood home and attempts to uncover why someone would choose to die, she will face her estranged family, her brother’s few friends, and the overzealous grief counselor, Chad Lambo; she may also discover what it truly means to be alive. A bleakly comic tour de force that’s by turns poignant, uproariously funny, and viscerally unsettling, this debut novel has shades of Bernhard, Beckett and Bowles—and it announces the singular voice of Patty Yumi Cottrell.
Transgressive, transformative short stories that explore the margins of trans lives. Building on the success of All City, here is a wry, and at the same time dark and risk-taking, story collection from author (and baker) Alex DiFrancesco that pushes the boundaries of transgender awareness and filial bonds. Here is the hate between 16-year-old Junie, who is transitioning, and their mom's boyfriend Chad when the family moves into Chad's house on Lake Erie. And here is the love being tested between Sawyer and his dad, who named his boat after his child and resists changing it from Sara to Sawyer now. There is DiFrancesco's willingness to enter lands that are violent and comfortless in some of t...
Large Print�s increased font size and wider line spacing maximizes reading legibility, and has been proven to advance comprehension, improve fluency, reduce eye fatigue, and boost engagement in young readers of all abilities, especially struggling, reluctant, and striving readers.
Nine-year-old Dylan helps his parents run a failing petrol station in a small Welsh town and becomes a reluctant robber when he discovers some treasures being stored in a local abandoned mine.
An out-of-this-world funny book from master storyteller Frank Cottrell Boyce, with illustrations throughout by Steven Lenton.Light-hearted and profound' Sunday Times Book of the Week'Wholly original and exceptionally funny' Bookseller Book of the MonthThe Blythes are a big, warm, rambunctious family who live on a small farm and sometimes foster children. Now Prez has come to live with them. But, though he seems cheerful and helpful, he never says a word.Then one day Prez answers the door to someone claiming to be his relative. This small, loud stranger carries a backpack, walks with a swagger and goes by the name of Sputnik.As Prez dithers on the doorstep, Sputnik strolls right past him and ...
The League of Nations occupies a fascinating yet paradoxical place in human history. Over time, it’s come to symbolize both a path to peace and to war, a promising vision of world order and a utopian illusion, an artifact of a bygone era and a beacon for one that may still come. As the first experiment in world organization, the League played a pivotal, but often overlooked role in the creation of the United Nations and the modern architecture of global governance. In contrast to conventional accounts, which chronicle the institution’s successes and failures during the interwar period, Cottrell explores the enduring relevance of the League of Nations for the present and future of global politics. He asks: What are the legacies of the League experiment? How do they inform current debates on the health of global order and US leadership? Is there a "dark side" to these legacies? Cottrell demonstrates how the League of Nations’ soul continues to shape modern international relations, for better and for worse. Written in a manner accessible to students of international history, international relations and global politics, it will also be of interest to graduates and scholars.
FINALIST FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE "Cain’s small but mighty novel reads like a ghost story and packs the punch of a feminist classic." —The New York Times Book Review A haunted feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams. In "a strangely ageless world somewhere between Emily Dickinson and David Lynch" (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. S...
McSweeney's Quarterly returns with our first-ever queer lit issue, promising you a brilliant boundry expanding volume of original work. "A key barometer of the literary climate." --The New York Times "McSweeney's is so much more than a magazine; it's a vital part of our culture. " --Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasiand Otherwise Known as the Human Condition
'Terrific. So funny' Zadie Smith 'Monstrously depressing but so comic and well observed that I didn't really mind .... It is great' Dolly Alderton 'A dark comedy of female rage' Catherine Lacey 'Brilliant. For fans of Ottessa Moshfegh's My Year of Rest and Relaxation' Pandora Sykes 'Funny, shocking, clever, and hugely entertaining' Roddy Doyle 'A definitive work of milennial literature' Jia Tolentino 'The best thing I've read in years' Emma Jane Unsworth 'Vicious ... hilariously spot on' Guardian In a windowless office, a woman explains something from her real, nonwork life - about the frustration and indignity of returning her online shopping - to her colleagues. One wears a topknot. Anothe...
Part two of the literary sci-fi thriller follows a boy and a girl who are caught in a warring town where thoughts can be heard – and secrets are never safe. Reaching the end of their flight in The Knife of Never Letting Go, Todd and Viola did not find healing and hope in Haven. They found instead their worst enemy, Mayor Prentiss, waiting to welcome them to New Prentisstown. There they are forced into separate lives: Todd to prison, and Viola to a house of healing where her wounds are treated. Soon Viola is swept into the ruthless activities of the Answer, while Todd faces impossible choices when forced to join the mayor’s oppressive new regime. In alternating narratives the two struggle to reconcile their own dubious actions with their deepest beliefs. Torn by confusion and compromise, suspicion and betrayal, can their trust in each other possibly survive?