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A brand-new comic collection spinning out of the world-wide smash video game series! Karl Fairburne, legendary sniper for the Special Operations Executive, must parachute into occupied France on a mission to destroy a secret weapon, but instead of a silent mission of sabotage he finds the local resistance compromised and the SS waiting to play a deadly game of cat and mouse in the terrified streets of an ancient town.
Here is the bible of theater festivals for any stage professional looking to showcase original work, full of expert tips on selecting festivals that are best suited to an individual's work. This directory of more than 50 festivals in the United States, Canada, and abroad covers every step of festival participation, including contact information, application requirements, auditions and tryout performances, face-to-face meetings and interviews, salary specifics, and performance space details. Serving as a full business primer, it also answers essential questions on negotiating and networking with producers, meeting casting obligations, and what responsibilities one has to a festival when his or her show goes on to become a hit.
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"In the tens of thousands of seminars he has given all over the world - speaking to successful people, wealthy people, good looking people, and people just like you - Vaguen, one of the world's select few Master Ignoramuses (or, Ig-masters), has helped thousands of people to unlock their very own Power of Ignorance." -- Back cover.
Labrador is about a part of the world that practically no one knows anything about -- Canada's own Siberia. And because your tour guide is the lovely and talented TJ Dawe, it's also about the cycle of generations, how the hell bread got invented, the blurry line between fact and fiction, why schedule needs to be pronounced with a k sound, and how aliens and archaeologists are the same.
Reprint of the original, first published in 1875.
This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them. Poetry and the Anthropocene draws on the work of a series of poets from across the political and ...
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