You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Oxford Handbook on Sex Offenses and Sex Offenders provides comprehensive, even-handed analysis of the myriad of topics related to sex offenses, including pornography, sex trafficking, criminal justice responses, and the role of social media in sex crimes. Extending beyond the existing scholarly research on the topic, this volume teases out the key debates, controversies, and challenges involved in addressing sex crimes.
Now in a fully revised and updated second edition, this important work provides authoritative scientific and applied perspectives on the full range of paraphilias and other sexual behavior problems. For each major clinical syndrome, a chapter on psychopathology and theory is followed by a chapter on assessment and treatment. Challenges in working with sex offenders are considered in depth. Thoroughly rewritten to reflect a decade of advances in the field, the second edition features many new chapters and new authors. New topics include an integrated etiological model, sexual deviance across the lifespan, Internet offenders, multiple paraphilias, neurobiological processes, the clinician as expert witness, and public health approaches.
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
Nicolas Cage - His Life and MoviesCompiled from Wikipedia entries and published by Dr Googelberg.Read interesting details about the life and the movies of this popular actor.
Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years commun...
Netflix and its competitors like Disney+, Amazon Prime and Hulu have brought unprecedented levels of entertainment to consumers everywhere, providing the richest, most abundant aggregate of motion pictures and cinematic television the world has ever seen. Behind the facade, however, things are not as pleasant. A very costly paradigm shift is underway, altering not only conventional business and finance models, but also threatening long-established avenues of entertainment such as movie theaters, traditional television, and home video, and wreaking havoc on independent filmmakers and veteran producers alike. This book attempts to make sense of ongoing economic and creative shifts of infrastru...
Between the covers of Darkest Hours, you will find academics in distress; humans abusing monsters; demons terrorizing people; ghostly reminiscences; resurrected trauma; and occult filmmaking. Ranging from satirical to dreadful, these sixteen stories share a distinct voice: urgent, sardonic, and brutal. This expanded edition includes a new foreword by Sadie Hartmann (Mother Horror) and author notes for every story describing Thorn’s process, influences, and more. This updated release also features seventeen of Thorn’s essays on horror cinema, which cover films by Tobe Hooper, George A. Romero, Rob Zombie, M. Night Shyamalan, Wes Craven, and Dario Argento, among others.
How did Friday the 13th begin as a movie about a grieving mother killing camp counselors and spawn a movie in which a nanobot enhanced, hockey masked man destroys a space station? Similarly, how did A Nightmare on Elm Street evolve from a film by Wes Craven about Freddy Krueger into a film about Wes Craven making a Freddy Krueger movie? Film series are destined to change with time, but horror film series are often unrecognizable after multiple sequels and reboots. This work examines horror films and their sequels to determine the glue that holds individual franchises together, which films matter to a series' continuity, which should be considered as canon, and what goes into the process of continuing--or, in some cases, abandoning--the overarching storyline. Series covered include Friday the 13th, Halloween, Child's Play, A Nightmare on Elm Street, Leprechaun, and Scream.
Roger Ebert’s “criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .” —New York Times Pulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert’s Movie Yearbook 2013. It includes every movie review Ebert has written from January 2010 to July 2012. Also included in the Yearbook: In-depth interviews with newsmakers and celebrities Tributes to those in the film industry who have passed away recently Essays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary