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Since 1960, Surfer magazine has been chronicling a pastime that confounds description. Now for the first time, Surfer has collected its eclectic array of surf journalism into one volume, from dyspeptic editorials and gnarly travel pieces to great fiction and humor writing. Each piece is introduced by the editors and accompanied by the full-color cover of the Surfer issue in which the article first appeared. With the top names of surf journalism, this authoritative volume defines almost fifty years of Surfer styleand substance.
In 1965, Ron Stoner was the best surf photographer in the business. Every month, he shot the balmy beaches, bikini-clad girls, and achingly beautiful waves of Southern California for Surfer Magazine. Then, at the height of his fame, Ron Stoner walked off this sunny stage and disappeared forever. In Photo/Stoner, Stoner's strange story is recounted by surfing historian Matt Warshaw alongside Stoner's best photos, reproduced as never before. In these rare images, Stoner recorded more than just a beautiful wave or a perfect moment, he captured the effortless and innocent grace of coastal Californiapre-condominium. In word and in image, Photo/Stoner is a poignant ode to a lost era, and a lost man.
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After all the green beer has been poured and the ubiquitous shamrocks fade away, what does it mean to be Irish American besides St. Patrick’s Day? Who’s Your Paddy traces the evolution of “Irish” as a race-based identity in the U.S. from the 19th century to the present day. Exploring how the Irish have been and continue to be socialized around race, Jennifer Nugent Duffy argues that Irish identity must be understood within the context of generational tensions between different waves of Irish immigrants as well as the Irish community’s interaction with other racial minorities. Using historic and ethnographic research, Duffy sifts through the many racial, class, and gendered dimensio...
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