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Fame to Infamy
Fame to Infamy: Race, Sport, and the Fall from Grace follows the paths of sports figures who were embraced by the general populace but who, through a variety of circumstances, real or imagined, found themselves falling out of favor. The contributors focus on the roles played by athletes, the media, and fans in describing how once-esteemed popular figures find themselves scorned by the same public that at one time viewed them as heroic, laudable, or otherwise respectable. The book examines a wide range of sports and eras, and includes essays on Barry Bonds, Kirby Puckett, Mike Tyson, Mark McGwire and Sammy Sosa, Branch Rickey, Joe Louis and Max Schmeling, Michael Jordan, Wilt Chamberlain, and Jim Brown, as well as an afterword by noted scholar Jack Lule and an introduction by the editors. Fame to Infamy is an interdisciplinary volume encompassing numerous approaches in tracing the evolution of each subject's reputation and shifting public image.
Representing the "good German" in Literature and Culture After 1945
Essays analyzing postwar literary, cultural, and historical representations of "good Germans" during the Second World War and the Nazi period. In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans asevil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting...
Blackwood's Magazine, 1817-25, Volume 1
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
I Fought Them All
**WINNER: WISHING SHELF PRIZE FOR NON-FICTION 2011** In the 1890s the fight game was changing. The prize-fighters and bare-knuckle brawlers were disappearing as the new “scientific” boxers emerged to fight under the Marquis of Queensberry rules. Irishman Tom Sharkey was the never-say-die fighter who bridged the gap between old and new. Within a short time of arriving in America he took on all the top boxers of his day: his hero John L Sullivan, Gentleman Jim Corbett, Bob Fitzsimmons and the man who would become not only his greatest foe but his best friend, Jim Jeffries. Their 25-round world title fight at Coney Island was one of the most gruelling and compelling encounters ever seen ins...
Extending the Diaspora
Fresh perspectives on the black diaspora's global histories
Bare-Knuckle Britons and Fighting Irish
Boxing was phenomenally popular in 18th and 19th century Britain. Aristocrats attended matches and patronized boxers, and the most important fights drew tens of thousands of spectators. Promoters of the sport claimed that it showcased the timeless and authentic ideal of English manhood--a rock of stability in changing times. Yet many of the best fighters of the era were Irish, Jewish or black. This history focuses on how boxers, journalists, politicians, pub owners and others used national, religious and racial identities to promote pugilism and its pure English pedigree, even as ethnic minorities won distinction in the sport, putting the diversity of the Empire on display.
The Sculpture Machine
Michael Anton Budd's THE SCULPTURE MACHINE traces the tension between the modern world and the classical interpretation of physicality as influenced by technological forces of industry and revolution. This insightful work illustrates how ideas about bodies influence the building of identities in concert with the construction of a larger consumer culture. Illustrations. Copyright © Libri GmbH. All rights reserved.
Fight Pictures
The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture.
Blackwood's Magazine, 1817-25
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the "Blackwood's Magazine" between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of "Blackwood's Magazine".
