Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Blunder
Why did Britain go to war in Iraq in 2003? Existing accounts stress dodgy dossiers, intelligence failures, and the flaws of individual leaders. Deploying the large number of primary documents now available, this book puts ideas at the centre of the story. As the book argues, Britain's war in Iraq was caused by bad ideas that were dogmatically held and widely accepted. Three ideas in particular formed the war's intellectual foundations: the notion of the undeterrable, fanatical rogue state; the vision that the West's path to security is to break and remake states; and the conceit that by paying the 'blood price', Britain could secure influence in Washington DC. These issues matter, because although the Iraq War happened fifteen years ago, it is still with us. As well as its severe consequences for regional and international security, the ideas that powered the war persist in Western security debate. If all wars are fought twice, first on the battlefield and the second time in memory, this book enters the battle over what Iraq means now, and what we should learn.
The Global Village Myth
Porter challenges the powerful ideology of "Globalism" that is widely subscribed to by the US national security community. Globalism entails visions of a perilous shrunken world in which security interests are interconnected almost without limit, exposing even powerful states to instant war. Globalism does not just describe the world, but prescribes expansive strategies to deal with it, portraying a fragile globe that the superpower must continually tame into order. Porter argues that this vision of the world has resulted in the US undertaking too many unnecessary military adventures and dangerous strategic overstretch. Distance and geography should be some of the factors that help the US separate the important from the unimportant in international relations. The US should also recognize that, despite the latest technologies, projecting power over great distances still incurs frictions and costs that set real limits on American power. Reviving an appreciation of distance and geography would lead to a more sensible and sustainable grand strategy.
The False Promise of Liberal Order
In an age of demagogues, hostile great powers and trade wars, foreign policy traditionalists dream of restoring liberal international order. This order, they claim, ushered in seventy years of peace and prosperity and saw post-war America domesticate the world to its values. The False Promise of Liberal Order exposes the flaws in this nostalgic vision. The world shaped by America came about as a result of coercion and, sometimes brutal, compromise. Liberal projects – to spread capitalist democracy – led inadvertently to illiberal results. To make peace, America made bargains with authoritarian forces. Even in the Pax Americana, the gentlest order yet, ordering was rough work. As its power grew, Washington came to believe that its order was exceptional and even permanent – a mentality that has led to spiralling deficits, permanent war and Trump. Romanticizing the liberal order makes it harder to adjust to today’s global disorder. Only by confronting the false promise of liberal order and adapting to current realities can the United States survive as a constitutional republic in a plural world.
The Global Village Myth
According to security elites, revolutions in information, transport, and weapons technologies have shrunk the world, leaving the United States and its allies more vulnerable than ever to violent threats like terrorism or cyberwar. As a result, they practice responses driven by fear: theories of falling dominoes, hysteria in place of sober debate, and an embrace of preemptive war to tame a chaotic world. Patrick Porter challenges these ideas. In The Global Village Myth, he disputes globalism's claims and the outcomes that so often waste blood and treasure in the pursuit of an unattainable "total" security. Porter reexamines the notion of the endangered global village by examining Al-Qaeda's global guerilla movement, military tensions in the Taiwan Strait, and drones and cyberwar, two technologies often used by globalists to support their views. His critique exposes the folly of disastrous wars and the loss of civil liberties resulting from the globalist enterprise. Showing that technology expands rather than shrinks strategic space, Porter offers an alternative outlook to lead policymakers toward more sensible responses—and a wiser, more sustainable grand strategy.
Sharing Power?
The subject of U.S. grand strategy has been getting increasing attention from the policy and academic communities. However, too often the debate suffers from being too reductionist, limiting America's choices to worldwide hegemony or narrow isolation. There is a wide spectrum of choices before Washington that lie "somewhere in the middle." Frequently, not enough thought is given to how such alternative strategies should be designed and implemented. The future cannot be known, and earlier predictions of American decline have proven to be premature. However, there is a shift in wealth and power to the extent that America may not be able to hold on to its position as an unrivaled unipolar super...
Spirit and Emotion
None
Dirty Wars
In this story from the frontlines of the undeclared battlefields of the War on Terror, Jeremy Scahill exposes America's new approach to war: fought far from any declared battlefield, by units that do not officially exist, in thousands of operations a month that are never publicly acknowledged. From Afghanistan and Pakistan to Yemen, Somalia and beyond, Scahill speaks to the CIA agents, mercenaries and elite Special Operations Forces operators. He goes deep into al Qaeda-held territory in Yemen and walks the streets of Mogadishu with CIA-backed warlords. We also meet the survivors of night raids and drone strikes - including families of US citizens targeted for assassination by their own government - who reveal the shocking human consequences of the dirty wars the United States struggle to keep hidden.
Sharing Power: Prospects for a U.S. Concert-Balance Strategy (Enlarged Edition)
The subject of U.S. grand strategy has been getting increasing attention from the policy and academic communities. But too often the debate suffers from being too reductionist, limiting America's choices to worldwide hegemony or narrow isolation. There is a wide spectrum of choices before Washington that lie "somewhere in the middle." Too often not enough thought is given to how such alternative strategies should be designed and implemented. The future cannot be known, and earlier predictions of American decline have proven to be premature. However, there is a shift in wealth and power to the extent that America may not be able to hold on to its position as an unrivalled unipolar superpower. Therefore, it is worth thinking about how the United States could shape and adjust to the changing landscape around it. What is more, there are a number of interlocking factors that mean such a shift would make sense: transnational problems needing collaborative efforts...
What is Media Archaeology?
This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.
