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Continuing Patrick Wolfe’s work on settler colonialism This edited collection celebrates Patrick Wolfe’s contribution to the study and critique of settler colonialism as a distinct mode of domination. The chapters collected here focus on the settler-colonial assimilation of land and people, and on what Wolfe insightfully defined as “preaccumulation”: the ability of settlers to mobilise technologies and resources unavailable to resisting Indigenous communities. Wolfe’s militant and interdisciplinary scholarship is thus emphasised, together with his determination to acknowledge Indigenous perspectives and the efficacy of Indigenous resistances. In case studies of Australia, French Al...
The first full-length collection of irreverent and sweet comic strips from Rick Worley. Foul-mouthed, sex-obsessed and misanthropic, Rick is no ordinary cute cartoon rabbit. The strips in this hysterically funny, surprisingly sweet collection range from fantasy tales about a closeted fundamentalist teddy bear, an oversexed fox, and a doomed robot love affair to autobiographical comics that share maybe a little too much information about the author. Released by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.
A deep-dive investigation of education privatization that reveals voucher programs as the faulty products of decades of work by wealthy patrons and influential conservatives
Music writer and historian Aaron Joy presents his series of rock music crossword puzzle books. A great starting point for growing a music collection, enjoying a particular musical genre or band or winning the next game of rock music trivia. This volume (22 puzzles) features the following: Pansy Division, Village People, Stephin Merritt, Bob Mould, Sylvester & RuPaul, Jobraith, George Michael, Frankie Goes To Hollywood & Scissor Sisters, Sir Elton John, Ari Gold, Freddy Mercury, Adam Lambert, Erasure & Pet Shop Boys, Dead Or Alive, Jonsi & Placebo, Boy George, Owen Pallett & Patrick Wolf, Rufus Wainwright, Soft Cell & Jimmy Somerville, Antony & The Johnsons, out heavy metal musicians, queercore Series 1: thrash, grunge, classic NYC rock bands, women in rock, prog-rock, L.A. hair metal. Series 2: sludge metal, Boston bands, gay & lesbian musicians (3 volumes).
How did the world come to be organized into sovereign states? This work argues that two historical revolutions in ideas are responsible; the Protestant Reformation which ended Christendom and introduced a system of sovereign states, and the colonial nationalism of the 1960s.
The ages of Thatcherism and New Labour are two of the most significant of the twentieth century, and more alike than they would care to admit. Out of these years of political turmoil have come many brilliant, often politically dissenting, British albums which have captured the landscape of the time. This is the story of those albums.
Privately funded voucher programs, started in the early 1990s, provide low-income families with private, non-governmental tuition assistance at private schools for kindergarten through grade 12. This report on privately funded voucher programs focuses on answers to the following questions: What are the characteristics of privately funded school voucher programs, including such factors as amount of tuition assistance, determination of student eligibility, and long-term challenges? What is known about the academic performance of students participating in these programs and the degree of parental satisfaction with the programs? Charts and tables.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?