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Many Japanese immigrants labored in canefields for ten or more hours a day, six days a week, for $12 a month. Here on three-year contracts, immigrants were mistreated by their "lunas," who thought nothing of beating the workers with whips, demanding that even the seriously ill report to work.The hardships and sacrifices endured by these immigrants encouraged their children and grandchildren to become educated, work hard, persist, and be creative. As a result, many second- and third-generation Japanese Americans have been successful in fields such as politics, business, education and art. There was no limit to their aspirations because the United States provided them the freedom and opportunity to fulfill their dreams.Immigrants left their children a heritage to respect, admire, and emulate. Saiki has captured the patient, gentle, loving quality of Japanese immigrants living in early Hawaii.
This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii’s pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii’s culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida’s analyses and explications of texts, which in turn reinterpret the nonfictional co...
Produced under the auspices of the Japanese American National Museum in Los Angeles, this comprehensive reference culls information from primary sources--Japanese-language texts and documents, oral histories, and other previously neglected or obscured materials--to document the history and nature of the Japanese American experience as told by the people who lived it. The volume is divided into three major sections: a chronology with some 800 entries; a 400-entry encyclopedia covering people, events, groups, and cultural terms; and an annotated bibliography of major works on Japanese Americans. Includes about 80 bandw illustrations and photographs. Annotation copyright by Book News, Inc., Portland, OR
Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.
In Double Agency, Tina Chen proposes impersonation as a paradigm for teasing out the performative dimensions of Asian American literature and culture. Asian American acts of impersonation, she argues, foreground the limits of subjectivity even as they insist on the undeniable importance of subjecthood. By decoupling imposture from impersonation, Chen shows how Asian American performances have often been misinterpreted, read as acts of betrayal rather than multiple allegiance. A central paradox informing the bookimpersonation as a performance of divided allegiance that simultaneously pays homage to and challenges authenticity and authoritythus becomes a site for reconsidering the implications of Asian Americans as double agents. In exploring the possibilities that impersonation affords for refusing the binary logics of loyalty/disloyalty, real/fake, and Asian/American, Double Agency attends to the possibilities of reading such acts as "im-personations"dynamic performances, and a performance dynamicsthrough which Asian Americans constitute themselves as speaking and acting subjects.
When author Gail Okawa was in high school in Honolulu, a neighbor mentioned that her maternal grandfather had been imprisoned in a World War II concentration camp on the US mainland. Questioning her parents, she learned only that “he came back a changed man.” Years later, as an adult salvaging that grandfather’s memorabilia, she found a mysterious photo of a group of Japanese men standing in front of an adobe building, compelling her eventually to embark on a project to learn what happened to him. Remembering Our Grandfathers’ Exile is a composite chronicling of the Hawai‘i Japanese immigrant experience in mainland exile and internment during World War II, from pre-war climate to a...
The Columbia Guide to Asian American Literature Since 1945
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Yasutaro Soga’s Life behind Barbed Wire (Tessaku seikatsu) is an exceptional firsthand account of the incarceration of a Hawai‘i Japanese during World War II. On the evening of the attack on Pearl Harbor, Soga, the editor of a Japanese-language newspaper, was arrested along with several hundred other prominent Issei ( Japanese immigrants) in Hawai‘i. After being held for six months on Sand Island, Soga was transferred to an Army camp in Lordsburg, New Mexico, and later to a Justice Department camp in Santa Fe. He would spend just under four years in custody before returning to Hawai‘i in the months following the end of the war. Most of what has been written about the detention of Jap...
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.