Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Theatrical Spaces and Dramatic Places
This volume brings together experts in the field of Renaissance theatre architecture. It considers concepts and applications of theatrical space during the early modern period.
New Playwriting Strategies
New Playwriting Strategies has become a canonical text in the study and teaching of playwriting, offering a fresh and dynamic insight into the subject. This thoroughly revised and expanded second edition explores and highlights the wide spread of new techniques that form contemporary theatre writing, as well as their influence on other dramatic forms. Paul Castagno builds on the innovative plays of Len Jenkin, Mac Wellman, and the theories of Mikhail Bakhtin to investigate groundbreaking new techniques from a broad range of contemporary dramatists, including Sarah Ruhl, Suzan Lori-Parks and Young Jean Lee. New features in this edition include an in-depth study of the adaptation of classical ...
The English Mannerist Poets and the Visual Arts
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
New Theatre Quarterly 34: Volume 9, Part 2
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
New Playwriting Strategies
New Playwriting Strategies offers a fresh and dynamic approach to playwriting that will be welcomed by teachers and aspiring playwrights alike.
Theatre and Violence
A collection of pieces examining the theatre's role in fostering a culture enamoured of violence. Areas covered include violence as an integral part of dramatic text and performance, facets of the staging of violence, and examples of theatrical violence at the fringes of social acceptability.
Drama as Rhetoric/rhetoric as Drama
Part 1. Rhetorical dimensions of drama: the classical context: The enthymeme and the invention of troping in Greek drama / August W. Staub. Theorizing the spectacle: a rhetorical analysis of tragic recognition / Tom Heeney. Exile and the kingdom: reason as nightmare in the Aeschylean vision / John Arthos -- Part 2. The rhetorical in renaissance and neoclassical drama: Epideictic pastoral: rhetorical tensions in the staging of Torquato Tasso's Aminta / Maria Galli Stampino. Shakespeare's rhetoric versus the ideology of Ian McKellen's Richard III / George L. Geckle. And now for application: Venice preserv'd and the rhetoric of textual application / Odai Johnson -- Part 3. War, politics, and the drama: Federalist and republican theatre in the 1790s / Steve Wilmer. Uncle Tom's Cabin and the rhetoric of gradualism / Charles Wilbanks. Dario Fo's angry farce / Stanley Vincent Longman -- Part 4. Contemporary culture: Stain upon the silence: Samuel Beckett's deconstructive inventions / Leigh Anne Howard. Still angry after all these years: performing the language of HIV and the marked body in The normal heart and The destiny of me / Peter Michael Pober.
The Giallo Canvas
Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli--an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto.
