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In the thirty-five years before the Civil War, as it became increasingly difficult for those outside the world of politics to have frank and open discussions about slavery, Paul D. Naish argues that many Americans displaced their most provocative criticisms and darkest fears about the institution onto Latin America.
The fandango, emerging in the early-eighteenth century Black Atlantic as a dance and music craze across Spain and the Americas, came to comprise genres as diverse as Mexican son jarocho, the salon and concert fandangos of Mozart and Scarlatti, and the Andalusian fandangos central to flamenco. From the celebrations of humble folk to the theaters of the European elite, with boisterous castanets, strumming strings, flirtatious sensuality, and dexterous footwork, the fandango became a conduit for the syncretism of music, dance, and people of diverse Spanish, Afro-Latin, Gitano, and even Amerindian origins. Once a symbol of Spanish Empire, it came to signify freedom of movement and of expression, given powerful new voice in the twenty-first century by Mexican immigrant communities. What is the full array of the fandango? The superb essays gathered in this collection lay the foundational stone for further exploration.
"The United States is in the midst of a bruising debate about its role in the world. Not since the interwar era have Americans been so divided over the scope and nature of their engagement abroad. President Donald Trump's America First approach to foreign policy certainly amplified the controversy. His isolationist, unilateralist, protectionist, and anti-immigrant proclivities marked a sharp break with the brand of internationalism that the country had embraced since World War II. But Trump's election was a symptom as much as a cause of the nation's rethink of its approach to the world. Decades of war in the Middle East with little to show for it, rising inequality and the hollowing out of t...
Written by leading historians of the mid–nineteenth century United States, this book focuses on the continental dimensions of the U.S. Civil War. It joins a growing body of scholarship that seeks to understand the place of America’s mid-nineteenth-century crisis in the broader sweep of world history. However, unlike other studies that have pursued the Civil War’s connections with Europe and the Caribbean, this volume focuses on North America, particularly Mexico, British Canada, and sovereign indigenous states in the West. As the United States went through its Civil War and Reconstruction, Mexico endured its own civil war and then waged a four-year campaign to expel a French-imposed mo...
When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.
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Fully illustrated and immersive guide to the latest research in these incredible animals. Discover the groundbreaking developments in dinosaur research with this state-of-the-art guide to dinosaur biology. Written by experts from a leading dinosaur research centre, this book begins by tracing the evolution of the dinosaur from 225 million years ago through to the end of the Cretaceous Period, exploring how they lived and what happened during the great extinction event. Research on these fantastic animals is proceeding at a faster pace than ever before. Dinosaurs explores the most recent global discoveries and the major role that new technologies play in revealing previously inaccessible and unknown details about how dinosaurs lived, such as the use of CT-scanning we can now look inside a dinosaur skull and gain new information on brains and sense organs. This engaging book reveals the latest findings about dinosaur anatomy and behaviour, evolution, diversity and lifestyle, and is lavishly illustrated with artwork, photographs and artistic reconstructions that bring these iconic creatures to life.
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International law’s turn to history in the Americas receives invigorated refreshment with Christopher Rossi’s adaptation of the insightful and inter-disciplinary teachings of the English School and Cambridge contextualists to problems of hemispheric methodology and historiography. Rossi sheds new light on abridgments of history and the propensity to construct and legitimize whiggish understandings of international law based on simplified tropes of liberal and postcolonial treatments of the Monroe Doctrine. Central to his story is the retelling of the Monroe Doctrine by its supreme early twentieth century interlocutor, Elihu Root and other like-minded internationalists. Rossi’s revival of whiggish international law cautions against the contemporary tendency to re-read history with both eyes cast on the ideological present as a justification for misperceived historical sequencing.