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British Autobiography in the Seventeenth Century
Originally published in 1969. In the seventeenth century neither the literary genre nor the term ‘autobiography’ existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as ‘Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings – ‘religious’, where the autobiographies are grouped according to the d...
Bill Brandt
Bill Brandt, the greatest of British photographers, who visually defined the English identity in the mid-twentieth century, was an enigma. Indeed, despite his assertions to the contrary, he was not in fact English at all. His life, like much of his work, was an elaborate construction. England was his adopted homeland and the English were his chosen subject. The England in which Brandt arrived in the Thirties was deeply polarized. He photographed both upstairs and downstairs, and recorded the industrial north as well as the society rounds of the affluent south. Although much of his work was for the new illustrated magazines, it was frequently influenced by surrealism and an eye for the slight...
Fatal Glamour
Rupert Brooke (b. 1887) died on April 23, 1915, two days before the start of the Battle of Gallipoli, and three weeks after his poem "The Soldier" was read from the pulpit of St Paul's Cathedral on Easter Sunday. Thus began the myth of a man whose poetry crystallizes the sentiments that drove so many to enlist and assured those who remained in England that their beloved sons had been absolved of their sins and made perfect by going to war. In Fatal Glamour, Paul Delany details the person behind the myth to show that Brooke was a conflicted, but magnetic figure. Strikingly beautiful and able to fascinate almost everyone who saw him - from Winston Churchill to Henry James - Brooke was sexually...
George Gissing
George Orwell was asked to write a biography of George Gissing, having hailed him as 'perhaps the best novelist England has produced.' He had to refuse, and instead of a book like this one, Orwell wrote a novel, 1984. His closeness to Gissing can help draw the map of English literature from 1880 to 1950. Orwell was born in the year that Gissing died, 1903. Both of them lived 46 years and died of lung disease. It is likely that Orwell borrowed the first name of his pseudonym from Gissing. Orwell, though, chose to live among the poor to begin a lifelong commitment to leftist politics. Gissing became poor by bad luck and bad judgement; he came to believe that political solutions were unlikely t...
Hypermedia and Literary Studies
The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts.Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material). The essays i...
The Challenge of D.H. Lawrence
"Thirteen essays that aim to illuminate the achievement of one of England's greatest modern writers. Employing a variety of perspectives - historical, cultural, theoretical, feminist - the critics here assembled address concerns about Lawrence's work that have emerged in recent years: his attitudes toward the working class, art, women, Britain; his conceptions of male-female relationships, sexuality, education and knowledge; and his place in cultural history and the traditions of the English novel. All of the essays - from reassessments of Lawrence's position in the English literary tradition to analyses of his influence on recent American poetry - find renewed faith in the challenge of Lawrence's work, making this volume of interest to Lawrence scholars and students"--
D H Lawrence's Nightmare
Delves into the circumstances of Lawrence's life during the First World War, bringing to light the impact of the growing horror of the war on Lawrence's physical and emotional health and on the writing of Women in Love.
Literature, Money and the Market
Literature, Money and the Market: From Trollope to Amis, argues that literary institutions have been saturated with hostility to commerce and the market that goes back to Plato. It traces the division in English culture between the prestige values of the aristocracy and the material values of the commercial class. The book is a fresh look at both the representation of money in English literature, and the economic situation of writers.
Vancouver
For better or worse, postmodernism has become the master concept for thinking about the culture of our time. Vancouver: Representing the Postmodern City examines how Vancouver has been represented through literary and iconic narratives of power, morality, and ethnicity. Included are essays on the city and its representations in architecture, literature, visual art, and film. Also featured are over forty illustrations, many in colour. Contributors include Trevor Boddy, George Bowering, Alberto Pérez-Gómez, Jeff Derksen, Mike Hoolboom, Rosa Ho, and Bruce Serafin.
