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This volume examines the historical basis of the debate over sudden versus gradual approaches to enlightenment in Chinese Buddhism seeing it as part of a recurrent polarity in Chinese history and thought. Sudden and Gradual includes essays by Luis O. Gomez on the philosophical implications of the debate in China and Tibet, Whalen Lai on Taodheng`s theory of sudden enlightenment, Neal Donner on Chih-i`s system of T`ien-t`ai, John R. McRae on Shen-Hui`s sudden enlgihtenment` and its precedents in Northern Ch`an, Peter N. Gregory on Tsung-.i`s theory of sudden enlightenment .
The Chinese Chan (jap. Zen) abbot Zhongfeng Mingben of the Yuan Dynasty forged a synthesis of buddhist sutra writing and draft-cursive (zhang cao) script in his calligraphy. This highly idiosyncratic, new style of calligraphy prompted innovative trends in Ming Dynasty China and transmitted current Chinese artistic developments to Japan where it had a major impact on Zen- and tea circles.
The Book is a luminious account of fundamental principles of Buddhist doctrine
Bringing together leading authorities in the fields of Chinese and Tibetan Studies alike, Chinese and Tibetan Esoteric Buddhism engages cutting-edge research on the fertile tradition of Esoteric Buddhism (also known as Tantric Buddhism). This state of the art volume unfolds the sweeping impact of esoteric Buddhism on Tibetan and Chinese cultures, and the movement's role in forging distinct political, ethnical, and religious identities across Asia at large. Deciphering the oftentimes bewildering richness of esoteric Buddhism, this broadly conceived work exposes the common ground it shares with other Buddhist schools, as well as its intersection with non-Buddhist faiths. As such, the book is a major contribution to the study of Asian religions and cultures. Contributors are: Yael Bentor, Ester Bianchi, Megan Bryson, Jacob P. Dalton, Hou Chong, Hou Haoran, Eran Laish, Li Ling, Lin Pei-ying, Lü Jianfu, Ma De, Dan Martin, Charles D. Orzech, Meir Shahar, Robert H. Sharf, Shen Weirong, Henrik H. Sørensen, and Yang Fuxue and Zhang Haijuan.
Hui-neng, the patriarchal ancestor of all existing Ch’an/Zen, was invented by Shen-hui (684-758) based on a fusion of Buddhist and Confucian themes. This propaganda led to the creation of a large hagiographical literature that determined the trajectory of Ch’an.
This is the first of three volumes of general proceedings from the Ninth Seminar of the International Association of Tibetan Studies. It presents a selection of scholarly and academic articles on Tibetan history, which includes contemporary developments as well as a linguistic section.
Chronicles the history of Christianity in China throughout the centuries, from the arrival of Christian missionaries during the seventh century to efforts to connect Chinese followers with European Catholics in 2000.
Dunhuang: China’s traditional northwest frontier and overland conduit of exchange with the Old World. Jao Tsung-i: China’s last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong’s global heyday. Jao and Dunhuang had a special relationship that this book makes accessible in English for the first time. Inside, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang’s oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia.
Through a highly sensitive exploration of key concepts and metaphors, Bernard Faure guides Western readers in appreciating some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. He focuses on Chan's insistence on "immediacy"--its denial of all traditional mediations, including scripture, ritual, good works--and yet shows how these mediations have always been present in Chan. Given this apparent duplicity in its discourse, Faure reveals how Chan structures its practice and doctrine on such mental paradigms as mediacy/immediacy, sudden/gradual, and center/margins.
The Many Canons of Tibetan Buddhism is one of the first publications to include scholarship on both the mainstream Tibetan canons of translated Buddhist classics, and the alternative canons of literature of the Nyingma sectarian traditions.