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A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
Preliminary Material /Catherine Armstrong and Jaya Priyadarshini -- Gandhi and the Indian Indentured Servants in South Africa /David W. Bulla -- Napoleon, the British Public Opinion, and the Abolition of the Slave Trade /Lubomir Krastev -- Between the Devil and the Deep Sea: Menial Caste Women and Slavery in Eighteenth-Century Jodhpur /Jaya Priyadarshini -- Legacies of Slavery in a Former Slave-Reservoir: The Case of the Guéra Region /Valerio Colosio -- Workers/Slaves of the State: Prisoners /Ozde Nalan Koseoglu -- The Efficacy of a Youth Initiative /Clare McLeod -- Male Victims of Human Trafficking /Polina Smiragina -- Teaching 'Slavery in a Global Context': Some Pedagogical Themes and Problems /Catherine Armstrong -- Canada and the Legend of the Underground Railroad /Eleanor Lucy Bird -- Making 'Slavery' Work /Karen E. Bravo -- The Slave Narrative that Freed Me /Regina E. Mason -- Misunderstanding Slavery of the Past, Misunderstanding Slavery Today /David Wilkins.
After its invention in France in 1838, the saxophone, Vermazen argues, was finally brought to the American public by the Six Brown Brothers, one of the most famous musical stage acts of the early 20th century. This title explores how they turned an instrument once derided as the "Siren of Satan", into the crowning symbol of jazz.
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The current status of the science and technology related to coatings, thin films and surface modifications produced by directed energy techniques is assessed in Materials Surface Processing by Directed Energy Techniques. The subject matter is divided into 20 chapters - each presented at a tutorial level – rich with fundamental science and experimental results. New trends and new results are also evoked to give an overview of future developments and applications. - Provides a broad overview on modern coating and thin film deposition techniques, and their applications - Presents and discusses various problems of physics and chemistry involved in the production, characterization and applications of coatings and thin films - Each chapter includes experimental results illustrating various models, mechanisms or theories
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
This study of brass chamber music in lyceum and chautauqua fills a lacuna in brass history. It explores the forgotten phenomenon of the many chamber brass ensembles that entertained millions of Americans from coast to coast from 1877 to 1939 and presents histories of sixty-one ensembles that performed music for brass trio, brass quartet, brass quintet, and brass sextet for lyceum and chautauqua audiences. The author also writes about the large repertoire of music for small brass ensembles that he discovered was published in America from 1875 through the 1920s. This First American Chamber Brass School is discussed in one of five overviews of the principal eras in brass chamber music history that form the most comprehensive history of brass chamber music written in fifty years. Hardbound.