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Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.
This book presents a rich and insightful look at the deaconess vocation and its blessing to the LCMS. Utilizing primary sources to document the inspiring story of the deaconess movement within the LCMS, it fills a significant gap in the annals of synodical history. Collected in this one volume is a record of events as well as the thoughts and actions of deaconesses during every era of the Synod's history.