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The Materiality of Religion in Early Modern English Drama
The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties...
Shakespeare and the Cultures of Performance
Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters f...
The End of Satisfaction
Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" as used in dramas of the sixteenth and early seventeenth centuries.
Making Space Public in Early Modern Europe
Broadening the conversation begun in Making Publics in Early Modern Europe (2009), this book examines how the spatial dynamics of public making changed the shape of early modern society. The publics visited in this volume are voluntary groupings of diverse individuals that could coalesce through the performative uptake of shared cultural forms and practices. The contributors argue that such forms of association were social productions of space as well as collective identities. Chapters explore a range of cultural activities such as theatre performances; travel and migration; practices of persuasion; the embodied experiences of lived space; and the central importance of media and material thi...
The Players' Advice to Hamlet
Outlining a classical 'rhetorical' system, this is the first serious overview of how European actors c.1550-1800 thought about acting.
Picturing Punishment
Picturing Punishment examines representations of criminal bodies as they moved in, through, and out of publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civ...
The Diva's Gift to the Shakespearean Stage
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning roya...
Shakespeare in the Marketplace of Words
This book explores the words, forms, and styles Shakespeare used to interact with the verbal marketplace of early modern England.
Passionate Playgoing in Early Modern England
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
The Invention of Northern Aesthetics in 18th-Century English Literature
Free, romantic, and individualistic, Britain’s self-image in the eighteenth century constructs itself in opposition to the dominant power of a southern European aesthetics. Offering a fresh understanding of how the British intelligentsia created a ‘Northern’ aesthetics to challenge the European yoke, this book explores the roots of British Romanticism and a newly created past. Literature, the arts, architecture, and gardening all contributed to the creation of this national, ‘enlightened’, Northern cultural environment, with its emphasis on a home-grown legal tradition, on a heroic Celtic past, and on the imagined democracy of King Arthur and his Roundtable of Knights as a propheti...
