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Playing
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Behind the Screen
When it comes to Hollywood, Christians too quickly wash their hands of popular culture and leave this immensely influential media to unbelievers. In truth, the industry is listening. There is a church in Hollywood, but too often their work is unrecognized. Behind the Screen offers a glimpse of Hollywood insiders who, through their jobs on movie sets, behind TV shows, and in radio broadcasts, work together to give glory to God. With contributions from the writers and producers of such productions as Joan of Arcadia, Mission Impossible, Batman Forever, That '70s Show, and others, believers everywhere are encouraged to join with the church in Hollywood and do their part in closing the gap between Christianity and culture.
Acting
"ACTING: Make It Your Business, written by a veteran casting director, puts the power to land jobs and thrive in any medium - stage, film, TV, or the Internet - directly into the hands of the actor. This blunt, wise, and often hilarious guide overflows with cutting-edge audition, marketing, and networking strategies, combining traditional techniques with those best suited for the digital age. Well-known actors and powerful agents make cameos throughout, offering newcomers and working professionals alike a clear-eyed, uncensored perspective on survival and advancement within the entertainment industry."--BOOK JACKET.
God Help Me, I'm Grieving
Have you lost someone--or something--dear to you? At some point, whether through the loss of a friend or family member, a decline in health, or the end of a career or a relationship, everyone will encounter grief. After nearly twenty-five years in the mental health field, author and licensed professional counselor Katherine B. Barner is well-acquainted with the ways grief can impact a life. While grief is unavoidable, it is also a valuable aspect of the human experience. Utilizing Biblical examples of human grief--and God's acceptance of its complicated rawness--Barner demonstrates how a person's response to loss does not indicate a lack of faith but testifies instead to their humanity and t...
When God Changed His Mind
"Isaiah. Isaiah! Get up, son! Isaiah! You have to get up! Get off the floor! I can't stop!" I reached one hand behind me and shook him the best I could while driving. My heart pounded, and my body trembled. What could be so wrong that he can't control his body? Things go downhill quickly after Christina Custodio picks up her thirteen-year-old son early from football practice due to a headache. By the time she arrives, he has little control of his body and quickly becomes unresponsive. Soon, he is rushed into surgery, his brain filled with blood from a severe brain hemorrhage. From the time he was born, Christina had always felt Isaiah would die young. Though a typical boy with no health issu...
The Arts
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The Hebrew Orphan Asylum Band of New York City, 1874-1941
The Hebrew Orphan Asylum Band of New York City, 1874–1941 is at the same time the story of a boys’ band and a story of New York City. The band was not only an important educational component of one of the largest Jewish charitable organizations of its time, but also a significant source of music-making and performance in New York. What made the band especially noteworthy was the reputation it developed performing outside of New York’s many concert halls and major musical institutions. The band was ever-present, participating in events ranging from conventional parades to building ground-breakings to celebrations of major figures in New York history. The band was always ready to perform...
The Fiery Serpent
What is the true purpose of the arts? Using Shakespeare's Hamlet and Kazan's On the Waterfront as examples, The Fiery Serpent sets the standard for film and theater that reflects the model God put forth in creation.
Writing and Rewriting National Theatre Histories
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote e...
