You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Born in 1884, Frank R Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies are evident in his brilliant and original science-fiction artwork. In 1914 Paul met Hugo Gernsback and began illustrating for Gernsback's Electrical Experimenter & Science & Invention. By 1926 when Gernsback's Amazing Stories was born Paul was ready: a talented calligrapher, Paul not only created the magazine's famed comet logo, but also the front cover painting and all of the interior black and white illustrations. Subsequently, over the span of his career, Paul was to paint over 200 published sci-fi covers and in excess of 1,000 b...
This is a story about a Roman Catholic priest who runs his North London parish whilst harbouring an almighty secret: he doesn't believe in God. This doesn't stop him from being hugely successful, if a little unconventional in his work. He raises money by driving a London taxi and everything is going well until Sarah hops into his cab and into his life.
Born in 1884, Frank R. Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies is evident in his brilliant and original science fiction artwork. To say that Frank R. Paul is the father of science fiction illustration art is an understatement. His fertile imagination, amply demonstrated by the paintings and drawings in this book, speak for themselves and his legacy continues to influence the field today. Here, in this compendium, is the very first collection ever published showcasing many of Paul's full color science fiction artwork along with appreciations and critical essays by Sir Arthur C. Clarke and by Stephen Koshak; Jerry Weist and Roger Hill; Sam Moskowitz; Gerry de la Ree; Forrest J. Ackerman; and Frank Wu.
The fourth edition of Physics of the Earth maintains the original philosophy of this classic graduate textbook on fundamental solid earth geophysics, while being completely revised, updated, and restructured into a more modular format to make individual topics even more accessible. Building on the success of previous editions, which have served generations of students and researchers for nearly forty years, this new edition will be an invaluable resource for graduate students looking for the necessary physical and mathematical foundations to embark on their own research careers in geophysics. Several completely new chapters have been added and a series of appendices, presenting fundamental data and advanced mathematical concepts, and an extensive reference list, are provided as tools to aid readers wishing to pursue topics beyond the level of the book. Over 140 student exercises of varying levels of difficulty are also included, and full solutions are available online at www.cambridge.org/9780521873628.
Since the time our first book Fault Diagnosis in Dynamic Systems: The ory and Applications was published in 1989 by Prentice Hall, there has been a surge in interest in research and applications into reliable methods for diag nosing faults in complex systems. The first book sold more than 1,200 copies and has become the main text in fault diagnosis for dynamic systems. This book will follow on this excellent record by focusing on some of the advances in this subject, by introducing new concepts in research and new application topics. The work cannot provide an exhaustive discussion of all the recent research in fault diagnosis for dynamic systems, but nevertheless serves to sample some of th...
From the award-winning and nationally best-selling author of Hemingway's Boat and Sons of Mississippi--an illuminating, pathbreaking biography that will change the way we understand the life, mind, and work of the premier American architect. Frank Lloyd Wright has long been known as a rank egotist who held in contempt almost everything aside from his own genius. Harder to detect, but no less real, is a Wright who fully understood, and suffered from, the choices he made. This is the Wright whom Paul Hendrickson reveals in this masterful biography: the Wright who was haunted by his father, about whom he told the greatest lie of his life. And this, we see, is the Wright of many other neglected ...
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.