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Future Noir: The Making of Blade Runner
The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.
Splatterpunks
Driven and Reckless, the young writers who lead the splatterpunk movement have one rule: "There are no limits". Editor Paul Sammon--himself a talented writer and moviemaker--has assembled the first and only book to emcompass this dynamic literary movement. Features the works of Edward Bryant, Craig Spector, Rex Miller, Clive Barker and more.
Future Noir Revised & Updated Edition
Rediscover the groundbreaking magic of Blade Runner with this revised and updated edition of the classic guide to Ridley Scott’s transformative film—and published in anticipation of its sequel, Blade Runner 2049, premiering October 2017 and starring Ryan Gosling, Jared Leto, Robin Wright, and Harrison Ford. Ridley Scott’s 1992 "Director’s Cut" confirmed the international film cognoscenti’s judgment: Blade Runner, based on Philip K. Dick’s brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. Future Noir offers a deeper understanding of this cul...
Ridley Scott
Ridley Scott won the 1977 Cannes Film Festival prize for his debut feature The Duellists, dazzled audiences with Alien, created the futuristic noir of Blade Runner, and then hit the road with 1991's Academy Award nominee Thelma and Louise. This entertaining biography and informative reference captures Scott's individual style of movie making.
Conan the Phenomenon
Uses commentary and archival material to examine the development of Robert E. Howard's Conan character.
The Making of Starship Troopers
"Starship Troopers" is filmmaking at its most daring--a dazzlingly visual tale of intergalactic warfare and alien conquest which pushed its creative and technical teams far beyond what has ever been done before. This insider's look goes behind the scenes with the full story of the making of the summer SF flick, complete with interviews with the cast and crew.
Retrofitting Blade Runner
This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? The film's implications as a thought experiment provide a starting point for important thinking about the moral issues implicit in a hypertechnological society. Yet its importance in the history of science fiction and science fiction film rests equally on it mythically and psychologically resonant creation of compelling characters and an exciting story within a credible science fiction setting. These essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, important political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.
Tech-Noir
This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.
Alien
Science fiction plucks from within us our deepest fears and hopes thenshows them to us in rough disguise: the monster and the rocket. W.H. AudenWe live, as we dream - alone. Joseph ConradSo begins the screenplay of one of the greatest movies of all time: Alien. For the first time the complete script of Ridley Scott's legendary film Alien has been cleared for publication. The package includes the complete script, including scenes filmed but not released into the theatres, and hitherto unseen stills from the films and a fascinating introduction by Ridley Scott.
Blade Runner
Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the twenty-first century. With replicants on the run, the rain-drenched Los Angeles which Blade Runner imagines is a city of oppression and enclosure, but a city in which transgression and disorder can always erupt. Graced by stunning sets, lighting, effects, costumes and photography, Blade Runner succeeds brilliantly in depicting a world at once uncannily familiar and startlingly new. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner ...
