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Journey through the Wilderness
In the spring of 1870 an Anglo-Canadian military force embarked on a 1,200 mile journey, half of which would be through the wilderness, bound for the Red River Settlement, the site of present day Winnipeg. At the time the settlement was part of the vast Hudson's Bay Company controlled territories which Canada was in the process of purchasing. Today Canada is the second largest country in the world, but at the time it was a recent creation made up of three British North American colonies. The British government of the day, focussed on financial retrenchment and anchored on anti-imperialist values, would have happily severed its ties with its North American colonies. The dynamic American repub...
The Visual Is Political
This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance.
The Dieppe Raid
In 1942, a full two years before D-Day, thousands of men, mostly Canadian troops eager for their first taste of battle, were sent across the Channel in a raid on the French port town of Dieppe. Air supremacy was not secured; the topography of the town and its surroundings - hemmed in by tall cliffs and steep beaches - meant any invasion was improbably difficult; the result was carnage, the beaches turned into killing grounds even as the men came ashore, and whole regiments literally decimated. Why was the Raid ever mounted? Was the whole thing even, as has been darkly alleged, expected and even intended to fail, a cynical conspiracy to prove to the Americans, at the expense of so many Canadian lives, the impracticability of staging the Normandy landings for another two years? Robin Neillands goes behind the myths to tell what really happened, and why.
Art, Design, Photo
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Criminal
When Caspar Walsh was three years old his father became his primary carer. But Caspar's father wasn't classic dad material. He robbed banks, he dealt drugs and made his living from deception and violence. He loved his son but not enough to change his criminal lifestyle. Despite all this Caspar trusted him, loved him and looked up to him. When he grew up, he wanted to be just like his dad. Caspar got what he wanted. CRIMINAL is the harrowing story of a wild childhood punctuated by drugs, violence, sexual abuse and the frequent absences of a father in prison. It's the story of how Caspar inevitably became part of his father's world: doing drugs, dealing drugs, doing time. And how, eventually, as a young man, Caspar dragged himself out of the gutter, out of prison and out of crime and made the decision to rehabilitate himself and, by coming full circle to work with offenders, help change the lives of others like him.
More Work Than Glory
Prior to the 1960s, the term “Buffalo Soldier” was a fairly obscure one. Then, a trickle of titles became a torrent of books, articles, novels, monuments, and expanding numbers of historic sites along with museums all of which have changed the picture. Even an occasional nod from television and movies helped transform these once relatively little-known Black U.S. Army troops into familiar figures, who have taken their place in a mythic past. Indeed, powerful imagemakers from William F. “Buffalo Bill” Cody and his Congress of Rough Riders to Frederic Remington, the dean of frontier artists, helped lionize the Black troops whose exploits brought them to the American West, Cuba, the Phi...
Crisis and Astonishment
Children's picture books from the Romantic period. Theatrical stages inspired by Spinoza. Scenes from the Thirty Years' War reimagined by artificial intelligence. What narrative cannot achieve, Alexander Kluge transposes into the logic of images. The first half of the nineth volume of the "Alexander Kluge-Jahrbuch" contains a compilation of Kluge's most recent image experiments that wrestle with crisis and astonishment in the transatlantic public spheres of the twenty-first century. For Kluge, astonishment not only provokes philosophical reflection but also serves as an essential tool for critically grappling with the society of the spectacle. In addition to dialogues with Oskar Negt, Stefan Aust and painter Katharina Grosse, this volume contains scholarly essays on technology and the new space race, cinema and iconoclasm, revolution and Kluge's aesthetic politics, and decolonialism and ecocriticism.
