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Sometimes popular music registers our concerns and anxieties more lucidly than we realise. This is evident in the case of an ideal of childhood innocence in rapid decay in recent decades. So claims Down with Childhood, as it takes in psychedelia’s preoccupation with rebirth and inner-children, the fascination with juvenilia amidst an ebbing UK rave scene and dozens of nursery rhyme hip-hop choruses spawned by a hit Jay-Z tune. As it examines the often complex sets of meanings to which the occasional presence of children in pop songs attests, the book pauses at Musical Youth’s ‘Pass the Dutchie’ and other one-hit teen wonders, the career paths of child stars including Michael Jackson and Britney Spears, radical experiments in free jazz, and Black Panther influenced children’s soul groups. In the process, a novel argument begins to emerge relating the often remarked crisis of childhood to changing experiences of work and play and ultimately, to an ongoing capitalist crisis that underlies them.
Dialectics and Contemporary Politics develops a full theory of dialectics in order to reset the terms of dialectical critique and affirm its ability to produce radical insights about contemporary society. Dialectical thought has been the subject of sustained criticism since the 1960s, when competing approaches such as structuralism, genealogy, deconstruction and post-Marxism took political theorizing in new directions.
The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based res...
The 'Arab spring', the Spanish indignados, the Greek aganaktismenoi and the Occupy Wall Street movement all share a number of distinctive traits; they made extensive use of social networking and were committed to the direct democratic participation of all as they co-ordinated and conducted their actions. Leaderless and self-organized, they were socially and ideologically heterogeneous, dismissing fixed agendas or ideologies. Still, the assembled multitudes that animated these mobilizations often claimed to speak in the name of ’the people’, and they aspired to empowered forms of egalitarian self-government in common. Similar features have marked collective resistances from the Zapatistas...
During the first decade of the century, Evo Morales and other leftists took control of governments across Latin America. In the case of Bolivia, Morales was that country’s first Indigenous president and was elected following five years of popular insurrection after decades of neoliberal governance. Now We Are in Power makes the argument that the so-called Pink Tide should be understood as a passive revolution, a process that has two phases: a period of subaltern struggle from average citizens strong enough to culminate in a political crisis, which is followed by a time of reconciliation and transformation. Angus McNelly examines this movement as it unfolded and evaluates how passive revolution plays out over a prolonged crisis, ultimately demonstrating the inherent contradictions and complications of the process.
This volume explores activism, research and critique in the age of digital subjects and objects and Big Data capitalism after a digital turn said to have radically transformed our political futures. Optimists assert that the ‘digital’ promises: new forms of community and ways of knowing and sensing, innovation, participatory culture, networked activism, and distributed democracy. Pessimists argue that digital technologies have extended domination via new forms of control, networked authoritarianism and exploitation, dehumanization and the surveillance society. Leading international scholars present varied interdisciplinary assessments of such claims – in theory and via dialogue – and...
An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul...
What is the relationship between music and time? How does musical rhythm express our social experience of time? In Groove: An Aesthetic of Measured Time, Mark Abel explains the rise to prominence in Western music of a new way of organising rhythm: groove. He provides a historical account of its emergence around the turn of the twentieth century, and analyses the musical components which make it work. Tracing the influence of key philosophical arguments about the nature of time on musical aesthetics, Mark Abel draws on materialist interpretations of art and culture to challenge those, like Adorno, who criticise popular music’s metrical regularity. He concludes that groove does not simply reflect the temporality of contemporary society, but, by incorporating abstract time into its very structure, is capable of effecting a critique of it.
A distinct and original post-structuralist approach to Marx, allowing him to be read in a new light.
Affective Betrayal uses "affect" as an analytical category to explicate the fragility and fragmentation of Chinese political modernity. In so doing, the book uncovers some of the unresolved moral and philosophical obstacles China encountered in the past, as well as the cultural predicament the country faces at present. At the turn of the twentieth century, China's leading reformer Liang Qichao (1873–1929) presented modern political knowledge in musical and visual representational formats that were designed to stimulate readers' bodily senses. By expanding the reception of textual knowledge from "reading" to "listening" and "visualizing experiences," Liang generated an epistemic shift, and ...