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Lesley Stephenson worked closely with Paul Sacher for fifteen years as his ghost writer and translator. Through her work, and in dozens of lengthy interviews with this intensely private man, she managed to break through his legendary mask of reserve, accessing facts that were previously unknown even to family members and close friends. This biography of Sacher has been described by The London Times as 'enthralling', and by Germany's prestigious magazine DER SPIEGEL as '...one of the most fascinating biographies of recent years.'
Betr. u.a. Paul Sacher, den Basler Kammerchor und dessen Erwähnung in Thomas Manns Roman "Doktor Faustus" (S. 12-17).
In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
"Unidentified Flying Objects," not "UFOs" or "Flying Saucers" Authority work is the linchpin of the library catalog. As the author puts it, "Without authority control, the burden is placed on the user to think of all the possible forms a cataloger might have used to give access in the catalog to a given author or subject." If a subject is not sorted by its authorized heading, then the library and its users and staff are left without a system and ultimately the cost of an unsatisfied user. From one of the preeminent experts in the field, this is the step-by-step guide for ensuring that your library and staff are creating and maintaining authority records with the end user in mind. Comprehensi...
This indispensable handbook explains how scholars and students should work with and think about the composer's working manuscripts.
Enthält S. 177-180: "Freedom and resources: Basel Institute for Immunology."
Miller takes readers on an eye-opening tour of psychotropic drugs, describing the various kinds, how they were discovered and developed, and how they have played multiple roles in virtually every culture.
After the Rite: Stravinsky's Path to Neoclassicism (1914-1925) traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work.
In this book, author Ryan Dohoney tells the story of the 1972 premier of Morton Feldman's music for the Rothko Chapel in Houston, reconstructing the network of artists and patrons who contributed to the premier, and documenting the ways that they questioned the emotional translation of art into religious stimulation.