Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Paul Vincent Carroll
None
Selected Plays of Paul Vincent Carroll
A selection of plays by Irish playwright Paul Vincent Carroll, virtually none of which have been in print since his death in 1968.
Chaplin in the Sound Era
Though Charles Chaplin is commonly remembered as a silent film comedian, it is not widely recalled that he continued to make movies long after the introduction of sound. His sound films have often been overlooked by historians, despite the fact that in these films the essential character of Chaplin more overtly asserted itself in his screen images than in his earlier silent work. Each of Chaplin's seven sound films--City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967)--is covered in a chapter-length essay here. The comedian's inspiration for the film is given, along with a narrative that describes the film and offers details on behind-the-scenes activities. There is also a full discussion of the movie's themes and contemporary critical reaction to it.
The Wise Have Not Spoken
Described by the author as an Upper West Side story, this provocative, brilliantly stylized and often very funny play delves into the lives of three upscale Manhattan female yuppies whose financial success is counterbalanced by their unmet emotional n
Two Plays
None
The Urban Plays of the Early Abbey Theatre
Ireland’s Abbey Theatre was founded in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century. Conventional wisdom holds that the playwright Sean O’Casey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Plough and the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbey repertoire that has long been overlooked by critics. She seeks to restore attention to a...
Jonathan Swift
This book traces Swift's fluctuating reception in Ireland through the centuries, finding in Swift's ambivalence about his homeland - which he could not love even as he defended its cause - echoes and anticipations of the ambiguities that have marked the development of Irish identity at large. Mahony looks at Swift's posthumous reputation in literary culture and examines his unusual place in Irish political rhetoric. He shows that Swift's patriotic reputation suffered in the later eighteenth century through its seeming irrelevance to shifting political circumstances.
Fathers and Sons at the Abbey Theatre (1904-1938)
Fathers and Sons at the Abbey Theatre demonstrates how the literary archetype of the clash between fathers and sons and the subsequent depiction of anti-oedipal figures become a major concern for the playwrights writing in a specific and crucial moment of Irish history (1904-1938). The father can be conceived both as a historical / political metaphor as well as a real father in a specific historical and social context. The classical models employed as theoretical tools to nuance the argument--Laius and Oedipus, Ulysses and Telemachus, Aeneas and Anchises, Priam and Hector, Hector and Astyanax--are challenged by the Christian example of Abraham and Isaac, subversively adjusted by Yeats to pro...
The Abbey Theatre
The present work is a composite biography that provides a forum to most of those who have been associated with the Abbey Theatre from the beginning to the present time: actresses, actors, playwrights, men of letters, producers, directors, stage carpenters, house electricians, and supporters of the theatre. It is hoped that the method used in this book will give a different impression from that of previous histories of the Theatre, and on balance probably a truer one.
