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We've Come this Far by Faith
  • Language: en
  • Pages: 272

We've Come this Far by Faith

  • Type: Book
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  • Published: 1956
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  • Publisher: Unknown

None

Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde
  • Language: en
  • Pages: 175

Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde

  • Type: Book
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  • Published: 2013-09-13
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  • Publisher: Routledge

Oscar Wilde was a consumer modernist. His modernist aesthetics drove him into the heart of the mass culture industries of 1890s London, particularly the journalism and popular theatre industries. Wilde was extremely active in these industries: as a journalist at the Pall Mall Gazette; as magazine editor of the Women’s World; as commentator on dress and design through both of these; and finally as a fabulously popular playwright. Because of his desire to impact a mass audience, the primary elements of Wilde’s consumer aesthetic were superficial ornament and ephemeral public image – both of which he linked to the theatrical. This concern with the surface and with the ephemeral was, ironically, a foundational element of what became twentieth-century modernism – thus we can call Wilde’s aesthetic a consumer modernism, a root and branch of modernism that was largely erased.

Cicero
  • Language: en
  • Pages: 560

Cicero

  • Type: Book
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  • Published: 1870
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  • Publisher: Unknown

None

Report
  • Language: en
  • Pages: 768

Report

  • Type: Book
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  • Published: 1885
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  • Publisher: Unknown

None

Oscar Wilde's Chatterton
  • Language: en
  • Pages: 485

Oscar Wilde's Chatterton

In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whol...

Reports of the United States Board of Tax Appeals
  • Language: en
  • Pages: 1426

Reports of the United States Board of Tax Appeals

  • Type: Book
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  • Published: 1935
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  • Publisher: Unknown

None

Safety Design for Space Operations
  • Language: en
  • Pages: 1071

Safety Design for Space Operations

Endorsed by the International Association for the Advancement of Space Safety (IAASS) and drawing on the expertise of the world’s leading experts in the field, Safety Design for Space Operations provides the practical how-to guidance and knowledge base needed to facilitate effective launch-site and operations safety in line with current regulations. With information on space operations safety design currently disparate and difficult to find in one place, this unique reference brings together essential material on: Best design practices relating to space operations, such as the design of spaceport facilities. Advanced analysis methods, such as those used to calculate launch and re-entry deb...

The Real Life Inspiration Behind Oscar Wilde’s Work
  • Language: en
  • Pages: 64

The Real Life Inspiration Behind Oscar Wilde’s Work

Fiction often imitates real-life. That was certainly the case for Oscar Wilde. This book is part biography, part critical study. It examines all of Wilde’s published and unpublished work to see what was happening in her life that she might have used as inspiration for her fiction. HistoryCaps is an imprint of BookCaps Study Guides. With each book, a brief period of history is recapped. We publish a wide array of topics (from baseball and music to science and philosophy), so check our growing catalogue regularly to see our newest books.

The Most Beautiful Man in the World
  • Language: en
  • Pages: 322

The Most Beautiful Man in the World

When Andy Warhol cast Paul Swan (1883?1972) in three films in the mid-1960s, he knew that the octogenarian had once been internationally hailed as ?the most beautiful man in the world? and as ?Nijinsky?s successor.? Arthur Hammerstein had advertised Swan as ?a reincarnated Greek God,? and George and Ira Gershwin had celebrated his beauty in their musical Funny Face. What Warhol didn?t know was that Swan had also been called ?America?s Leonardo,? portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan?s story, from his days as a wo...