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This first-of-a-kind analysis will focus exclusively on unavoidable and mandated multiple relationships between clients and psychotherapists. The book will cover the ethics of a range of venues and situations where dual relationships are mandated, such as in the military, prisons/jails, and police departments, and settings where multiple relationships are unavoidable, such as rural communities; graduate schools and training institutions; faith, spiritual, recovery or 12-step, minority and disabled communities, total institutions, and sport psychology. The complexities of social network ethics and digital dual relationships, such as clients becoming "friends" or "fans" on their therapists’ social media pages are discussed. Finally, the book will discuss the complexities multiple roles that inevitably emerge in supervisory relationships.
Performance art can enrich interpretations of events through injecting doubt and risk. This does not replace traditional methods of gathering evidence, but can activate otherwise elusive empathic aspects. This book examines key issues in the field.
This volume sheds new light on how today’s peripheries are made, lived, imagined and mobilized in a context of rapidly advancing globalization. Focusing on peripheral spaces, mobilities and aesthetics, it presents critical readings of, among others, Indian caste quarters, the Sahara, the South African backyard and European migration, as well as films, novels and artworks about marginalized communities and repressed histories. Together, these readings insist that the peripheral not only needs more visibility in political, economic and cultural terms, but is also invaluable for creating alternative perspectives on the globalizing present. Peripheral Visions combines sociological, cultural, literary and philosophical perspectives on the periphery, and highlights peripheral innovation and futurity to counter the lingering association of the peripheral with stagnation and backwardness.
Exposes the mechanisms by which conservative Christianity dominated British culture during 1945-65 and their subsequent collapse.
This monograph provides the first sustained, chronological account of Northern Irish police officers’ representation in theatre. Importantly, its scope comprises a critical period of national and organisational development, beginning with the Partition of Ireland in 1921 and the founding of the Royal Ulster Constabulary (RUC) one year later in 1922. It progresses through the relevant theatrical and historical events of the century, through the period after the RUC’s dissolution and replacement with the Police Service of Northern Ireland (PSNI) in 2001, and concludes in 2021 to coincide with the centenary of Partition. As such, this project is distinctive in its ability to trace paradigm shifts in perceptions of the police over time, as they intersect with relevant historical events and milestones of political conflict in the province.
The biography of the world's richest man and the only book on Warren Buffett that has his full cooperation.
Theatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations. The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic.
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The Fifth in the Honor Series In the chaotic aftermath of 9/11, Secret Service agent Cameron Roberts and her lover, first daughter Blair Powell, must contend with recriminations from within the government and danger from without as they struggle to uncover those who betrayed the nation and nearly claimed Blair’s life. The hunt for those who betrayed the nation is a very personal quest for Secret Service agent Cameron Roberts because the traitors targeted her lover. Her search takes her deep into the shadow worlds of counter-intelligence where even a friend might be a foe. While Cam struggles to uncover the traitor’s trail, Blair wages her own war to prevent the woman she loves from becoming a scapegoat during the chaotic aftermath of 9/11. Not just honor, but their future together, is on the line as Blair and Cam join forces with their loyal friends to strike back at the terrorists.